My Space Opera Disconnect

...because Toni Morrison or F Scott Fitzgerald never wrote about Space Valkyries leading war androids into battle. Duh.

…because Toni Morrison or F Scott Fitzgerald never wrote about Space Valkyries leading war androids into battle. Duh.

A lot of times, when people learn I write scifi/fantasy, one of the first questions I get is ‘why that genre’. It’s a pretty deeply personal question, though I don’t think most people realize this. Asking somebody why they create a certain kind of art is sort of like asking ‘why’d your brain wind up so weird?’, except cloaked behind more trivial and superficial kinds of curiosity. For a long time, I answered that question with the answer to the question of what I think people really meant to ask, which is ‘what is interesting about scifi/fantasy as a genre’. This is a different question entirely, in that it doesn’t really have anything specific to do with me.

Now, though, I give them what I think is an honest answer: I write scifi/fantasy because the real world is a place I don’t particularly like most of the time. This is not to say I’m a lunatic who only finds joy in his ‘delusions’ (to use the pejorative term), but rather that I have difficulty keeping an even temper and a positive outlook the more I wallow in the present and the real. When I was a kid, my younger brother was diagnosed with a degenerative neurological disorder (Batten Disease, if you’re curious) that slowly killed him over a period of twenty years. During my formative adolescent years, I got to watch my brother and best friend slowly sink into a vegetative state, piece by piece, first losing his eyesight, then his fine motor control, then the ability to walk unassisted, then his ability to speak, and so on and so forth. Slowly. Year by year, month by month. I still have nightmares about it. They are the very worst kind, trust me.

Add to that all the usual horribleness of the real world. War, death, famine, injustice, racism, sexism, violence, and on and on and on. The kind of stuff that ordinarily makes your average teenager upset with the world. You can see now that fanciful alternatives held a certain appeal, yes?

Now, I don’t want to give off the impression that I’ve lived a particularly tough life. I haven’t. I have wonderful parents, a loving family, and, in many ways, luck as smiled on me in most of the ways that count. That said, my heart went through the wringer in a way I desperately hope most of you never experience.

Plot holes or no plot holes, it's perhaps exaggerating to call this series 'high art'.

Plot holes or no plot holes, it’s perhaps exaggerating to call this series ‘high art’.

Enough about me; let’s bring this back to speculative fiction, now. For a long period in my life, I read almost nothing other than space opera. Star Wars, of course, got me started, along with Star Trek and some other things (Babylon 5, Farscape, etc.). Over recent years, however, as I’ve been cultivating myself as a Serious Writer and Professor of Literature, I’ve been eschewing the ‘lighter’ stuff in favor of harder scifi, cyberpunk, and other styles that are more serious, more realistic, and, honestly, more grim. To be perfectly honest, most of these stories are better literature than much of the space opera sub-genre–there’s more interesting work being done about human nature, about what happens to us as a species, about what we need science to do or what we need it to stop doing, etc.. At the same time, though, they are also deeply tied to the real world. To ourselves. To all that ugliness and heavy-duty cynicism we fight with each and every day. It grows tiring after a time.

So, it’s with this running in the back of my mind that I stumbled upon what I think is a really, really cool idea for my own space opera universe. Alien species, improbably fast spaceships, laser beams and blasters, hell, maybe even psychic powers (silly as those are). High art? Maybe not, but who says everything has to be? Further, who says those things that aren’t high art don’t have something worthwhile to say? The challenge becomes, ultimately, to find something to say that all the other space operas haven’t already said (and boy do they ever repeat themselves). I’m in the middle of writing a different novel (urban fantasy) just now, but that doesn’t mean I can’t tinker and develop and tweak and build. I want to see if there’s something cool and interesting I can do in this genre that I leaned upon for all those years. Can I do it?

Well, hell, stay tuned. If I do, you’ll hear about it here.


About aahabershaw

Writer, teacher, gaming enthusiast, and storyteller. I write stories, novels, and occasional rants.

Posted on July 22, 2013, in Critiques, Theories, and Random Thoughts and tagged , , , , , , , . Bookmark the permalink. 4 Comments.

  1. ‘Why’d your brain wind up so weird?’ Haha thank you for putting words to the true meaning behind all those raised eyebrows…

  2. It’s interesting to learn how others came to the doors of SF&F. Me, I just loved escapism, and not for any big reasons. I just liked those stories more. Horses and therefore unicorns, I think, were my gateway drug, as well as getting pulled into my brother’s D&D game when I was about 6. Also, for a while there, real life kinda sucked–I seemed to constantly have friends who moved away or switched schools, and since I was a “nerd”, there was the bullying angle to get away from as well.

    Also, I think a lot of people would argue with you on Mass Effect and whether it’s art/high art for a number of reasons. Having still not played through it, I can’t make those arguments myself though.

    • “Also, I think a lot of people would argue with you on Mass Effect and whether it’s art/high art for a number of reasons. Having still not played through it, I can’t make those arguments myself though.”

      I realize that. Those people I refer here:

      In short: Mass Effect is derivative and only exceptional in the sense that space opera is a genre that doesn’t market well outside of video games, and this is the best one done in a while.

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