Learning the Short to Master the Long
Over the past three or four weeks, I’ve written four short stories. Ordinarily I would spend my semester break writing a novel, but I was waiting on the edit note from my editor (fun story there – see the note appended to the bottom of this post) and, rather than get deep into a long-term project only to be torn out of it by a more pressing long-term project, I opted to fill out my stable of short stories to have on submission at any one time.
I know a bunch of writers who don’t bother with short stories – either don’t write them at all or don’t really take them seriously if they do. I also know a fair number of writers who seem to write exclusively short stories and quail at the prospect of tackling something as big as a novel. I’m here, today, to make the case for writing both.
Why Novelists Should Write Short Stories
I know what you’re thinking. “Do people even read short stories?” and “You’ll never make a living writing stories all the time!”
Well, in the first place, yes people do read short stories. Not a tremendous, vast multitude, maybe, but certainly a hell of a lot more people than, say, read your blog. Some of those people happen to be editors, reviewers, and professionals in the genre you’re writing in. Making an impression doesn’t hurt. In the second place, I have to break something to you that you’re probably not going to like hearing: you probably aren’t going to make a living writing much of anything, novel or story. Most writers don’t. We all have day jobs, and you should think about keeping yours (or finding one that affords you time to write) rather than dreaming about making a mint writing the next Hunger Games. Who are you to turn your nose up at a hundred bucks for a story you wrote over the course of two weeks?
And anyway, neither exposure nor wealth are reasons you should write short stories. You should write short stories because they make you a better writer. At worst, they can be seen as practice runs for plot, character, theme, diction, style, and the lot of it. You get to work your writer muscles at a more rapid pace than you do writing a novel. You take a beginning, a middle, and an end and you paste them together and see if it sings to you. If it doesn’t, you break it down and try again. You can do this over the space of a few weeks or days or even hours.
The short story is an unforgiving form – it doesn’t permit indulgence or dithering or random tangents. You’ve got to stay on target, keep it focused, and make it magical. That’s a challenge. The thing is, though, if you can do it in 5000 words, you can certainly do it in 10,000 or 100,000. If you can’t do it in 5000, how are we to expect better from you with more space? I mean sure, you can do it, but while novelists you can’t write stories do exist, somebody who can do both things is usually better off. Or at least I think so.
Why Short Story Writers Should Write Novels
Say you are a master of the short story or, hell, even the short short (flash fiction, under 1000 words – bing, bang, boom, you’re out). You’re comfortable there, in your little story writing niche. You’ve gotten some publications and so on and you figure “yeah, this is nice.”
Well, far be it from me to suggest you vacate your micro-fiction utopia, but the novel is out there, waiting for you to call. Short stories can only do so much – we all know this. They also struggle for readership and, while very flexible, lack the weight and pathos a staying power a good novel can provide. And if you can write a good story, you can also write a good novel. It requires a different set of gears, yeah – a bigger scope, a broader picture, a more populated world – but it also gives you the opportunity to really see what you can do as a writer. To paraphrase Stephen King, you can “dig something big outta the sand.”
You can do it, too. You know you have it in you. I feel we mostly think in terms of novels – the stories of our lives, the stories of our families and our towns and our nations are novel sized stories. They always have been, though we haven’t always told them as novels (there were epics and romances and myth cycles, and so on). I think every writer owes it to him- or herself to make the attempt. To seek out the mountaintop. You’ve been honing these skills – take them out of the yard and see what they can do.
But don’t abandon the story, either. Do both. Write both short and long.
Notes on the Saga of the Redeemed and No Good Deed
I’ve gotten some fan mail recently (fan mail! w00t!) that has been prodding me over book 2 (or 3, or whatever) in Tyvian’s story. So, here’s the deal: book 2 (No Good Deed) is finished and on my editors desk. It has been since May of 2015. I’ve been waiting for her edit notes so that the book can be polished and revised and then be ready for print. I have been waiting since May and the release date as been pushed back twice now (from Jan 21st to February to now April 12th).
My editor is leaving my publisher for a different publishing job (and good for her – she’s great and I hope she’s happy where she’s going). This means, though, that I have a new editor. This new editor needs some time to get familiar with the book before she can give me notes and she also has been slammed with a good number of other writers from my former editor, so things might take a while. This means the release date might be moved back again (though I really hope not). None of this is really my fault (so far as I’m aware), and I’m every bit as anxious to put the next book in your hands as you are to have it there. I promise.
Oh, and I just saw the preliminary cover art, and it looks really, really cool. Can’t share it just yet, but soon. Very soon.
Thanks everybody, and I’ll keep you posted!