An Essential Violation of Character
Yes, yes – I’m still alive. Been over a month since I posted on this blog, but that’s been because life has a way of keeping me busy. I hope you haven’t missed me.
No, that’s not true – I hope you’ve missed me terribly and this blog post comes and an enormous relief.
I’ve only got a spare few minutes, so naturally what I want to talk about is something larger than can be contained in so short a post, because that’s how I roll.
I want to talk about character.
The other day, I was being interviewed by a grad student who asked me, essentially, how do I create characters in my stories/novels. This is a good question – a significantly better question than the usual “where do you get your ideas” thing – and part of what made it good is that I hadn’t really thought through it in any kind of concrete way and this question forced me to, all at once.
My answer went like this: at the start, every character is built around a core concept (or high concept, if you like). This is the central, fundamental trait that defines most of their behavior. So, by way of example, I used Fred Rodgers (who is a real person, not a character, but bear with me). Mr. Rodgers’s core concept is that he wishes to see the best in all people and wishes to be kind and understanding to all, and so create a more compassionate and loving world. This desire to be compassionate and kind drove every aspect of what he did – it is central and indispensable. To use another example, Tyvian Reldamar is fundamentally selfish and cynical – he does not believe that true “goodness” exists, and therefore he sees no reason to aspire to it.
The core concept is important, but it is only the starting point. You must then layer a character’s experiences around that concept. What happened to them to make them that way? Once that way, what actions did they take in accordance with their core concept and how did that shape them further. If the core concept is the mold (or the outline), the experiences give that outline depth and contour. Fred Rodgers created his show; Tyvian abandoned his family to become a pirate. Because Mr. Rodgers created his show, he became a beloved personage and found himself an essential part of millions of children’s lives; because Tyvian became a pirate, he became part of a criminal underworld which he later mastered.
But of course we are not done. The next thing – and this is possible the strangest step of all – is to ask yourself under what circumstances will that character violate their core concept. Because, you see, none of us wholly live up to who we think we are. Smart people do dumb things, angry people can be kind, and the cruel and hateful can still love. Mr. Rodgers, for instance, sued the KKK when they aired ads using his his image. It actually made him – him – mad. You can watch the interview where he talks about this: there he is, the King of Kind, his lips pressed tightly together and his syllables clipped, because nothing (nothing) makes Fred Rodgers angry except hatred. Likewise, there is Tyvian, the world exploding around him at the start of The Oldest Trick, and what does he do? Takes a second to save the life of a worthless street kid. Why? Even he doesn’t know. In fact, it take the guy a full four books to figure out the answer to that question.
This moments – what I will term the character’s moral limitations – are super important to making a character that people love and one that resonates with readers. These moments are immensely illuminating as character building moments, since all the best and most interesting characters must be capable of change, and we crave that particular quality in every character we encounter.
I’d also, as a brief gaming aside, that the same exact thing goes for Alignments in D&D and other such character-building tools in other RPGs. People aren’t robots – they can and do violate their core beliefs all the time. It’s the circumstances under which they do so and why that make them human and, therefore, relatable and interesting.
Anyway, that’s my .02. Keep watching the Mandalorian everyone. I’m sure I’ll get Disney+ soon enough and then I’ll see what all the fuss is about.
Posted on November 25, 2019, in Critiques, Theories, and Random Thoughts and tagged character, character arc, Tyvian Reldamar, writing. Bookmark the permalink. Leave a comment.
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