Category Archives: Events

World Fantasy 2018 Baltimore: Con Report

Last weekend I had the immense pleasure of traveling to Charm City for the 2018 World Fantasy Convention! I had a blast. Unfortunately, this meant I barely took any pictures, so I guess a lot of what I’m about to relate you’re going to have to take my word as having happened. One of these days I’ll go to one of these things are remember to document stuff. Anyway:

The Location

The view from my hotel room

The Con was held in the Renaissance Harborside Hotel. It was a nice hotel with a fairly sizeable convention space so that, if I hadn’t wanted to, I could have never left the hotel. As it stood, I barely did anyway – one dinner trip a five or ten minute drive away, a couple trips across the street. It does look like I was missing a lot, given the view out my window: dockside attractions, wooden tall ships, and naval vessel, etc..

Also, just by luck of my arrival, got upgraded to a suite for free since they didn’t have any rooms with king-size beds. I hadn’t really needed a king size (it was just me, after all) and had only selected that so that people who were sharing rooms could have one with two beds, but the hotel seemed to think they had made a grave error and so gave me a room with a slightly smaller bed, but with about three or four times the amount of floor space, for which I had absolutely no need whatsoever. It was weird, sleeping alone in a room that big. I don’t know how the crowned heads of Europe managed it without getting fat heads. (is handed note) Oh.
Oh, I see.

The Event

Most of my convention was full of professional meetings with my agent and others, so I didn’t attend as many panels as I usually do. I went to three:

You Got SciFi in My Fantasy! You Got Fantasy in My Scifi!

This was a panel about genre bending. It was evidently set up to be a fight, but nobody felt much like fighting – everyone basically agreed that bending genres was fun and exciting. The issue, it seemed, was only one of marketing: how does one get the powers-that-be in publishing to buy a manuscript they can’t figure out how to label and sell. Judging that Aliette de Bodard was on the panel as well as Scott Edelman, I think it’s safe to say doing so is very possible.

The Future of Fantasy

This panel was a discussion on what the Fantasy genre has in store for the future. It was, in essence, a panel about representation of marginalized groups in the genre, in which a panel of women and persons of color trumpeted their arrival as key players in the future. This is, of course, excellent news for the health and diversity of fantasy fiction, though the panel didn’t much delve into speculating what kinds of stories or conventions would be popular so much as the authors’ identities. They did name a wide number of antiquated, colonialist, and male-centered tropes that they wish would go away forever (fridging the girlfriend, for instance, or anything having to do with rape), to which I add a hearty hear-hear. We can all do better.

Monsters in Fantasy

This panel discussed the role of the monstrous in fantasy fiction and was my favorite panel of the convention. The discussion circled around monster-as-metaphor (“we want the monster to represent the terrible things in the world as that makes the story, ironically, safer for us”) versus monster-as-actual (war, fascism, humanity as monster). Line of the panel goes to my friend, Teresa Frohock:

People want to humanize Hitler by saying he liked dogs. Hitler only liked dogs because they were something he could control and dominate and train. Liking dogs didn’t make him less of a monster.

Like I said, it was a fun one.

My Reading

Then I had my own reading! Previously, such readings have been, shall we say, sparsely attended, but this time I had

From left to right: Teresa, Ruth, and me

a pretty full house! Maybe 20 people (15 at least!) showed up to hear me read “The Lord of the Cul-de-sac,” a short story I published in the May 2016 issue of Galaxy’s Edge. It really went over well! People were laughing and enjoying my performance (I do voices, by the way. Weird, I know, but I can’t help it) and the rest of the con I had people coming up to me to shake my hand and tell me how good they thought my reading was. It was great!

I also got to meet another writing friend of mine, Ruth Vincent. Unfortunately she had only come out for the day and we were headed in opposite directions at the end of the reading, but at least she got a photo of me, Teresa, and her!

The People

This, of course, leads me to the best part of the convention: the people. I ran into so many people I knew and had so many good conversations with new friends that this was one of the best conventions I’ve been to thus far, and certainly the best World Fantasy since I started going about three years ago. I saw Sarah Beth Durst several times (and got her to sign my daughters’ copy of The Girl Who Could Not Dream, which they loved). I chatted Dungeons and Dragons with BCS editor Scott Andrews. I met Mike Mammay and introduced him and his wife to the wonders of the Cheesecake Factory. I was taken to dinner by my agency, where I talked with a lot of very interesting people, including Neil Clarke and Aliette de Bodard. I hung out with my editor a bit and got to sit at the Harper Voyager table with SA Chakraborty and her family while we waited to hear if she’d won the World Fantasy Award (she didn’t, but we all had such a great time it scarcely mattered). If making friends and connections are what conventions are about (and that is what I think, anyway), this one was a resounding success.

I also met a lot of new and upcoming authors and a lot of people trying to get published or who are just fans. I had a lot of good conversations with them (at the Beneath Ceaseless Skies 10th anniversary party, for instance, we talked about race and gender in fantasy and it got pretty heavy) and walked away feeling like my world was a little larger and me a little less alone. I hope they felt the same way, and I look forward to seeing them at the next con.

See you all at Boskone this February!

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World Fantasy Con 2018 – My Schedule!

Hello, lovely people!

I’m headed to Baltimore this weekend for the World Fantasy Convention! I’m super excited about this one, especially since it is a very short plane ride away, which means more time at the con! I’m looking forward to catching up with old friends, meeting new ones, and getting business done.

Now, on the odd chance you want to meet me, I’ll be about at the Mass Signing on Friday night (I *think* I’ll have a seat – I hope so, anyway) and I have a reading on Saturday at 5:30pm. I’m planning to read one of my short fiction pieces (hopefully I can fit it into the half-hour!), and it should be a lot of fun.

I’ll see you there!

My Readercon Schedule!

Hello, lovely people!

This weekend I’ll be attending Readercon – a local scifi/fantasy convention in the city directly adjacent to my lovely hometown, Boston. That city is Quincy, Massachusetts – the City of Presidents! Ah, yes – I spent many a childhood year in Quincy Center, lurking through the aisles of New England Comics, Hobbytown, and the two local bookstores. It remains the first place I ever saw a pigeon with no feet, and also was the place you were most likely to see someone smoking directly underneath a No Smoking sign. And that person would probably be a cop.

But I digress.

The convention is to be held in the lovely Quincy Marriott, high atop a rocky granite knoll, a little like Castle Ravenloft, but with significantly brighter decor and better guest amenities. I will be there along with many other writer friends from the Boston area and beyond, and I entreat you to join us!

If you have a hankering to see me this weekend, here’s where and when I’ll be about:

Friday, 11am: Gamification of Story Development (Panel)

Story-focused games can be useful tools for authors. What happens when a writer draws up a character sheet for their protagonist and lets someone else play it out? Which gaming systems are best suited to developing stories? How can games support writing without creating chaos?

Friday, Noon: Book Signing!

I’ll be signing any and all copies of anything I’ve ever written at the autograph table! Please come visit! I’ll even have a few books stuffed in my pockets for sale if they aren’t on the Dealer’s Floor.

Friday, 3pm: On Dislike: Between Meh and Rage (Panel)

Writers know that reading widely is vitally important for a multitude of reasons, including learning from great books and learning what not to do from poor ones. But what can writers get out of books they feel indifferent to? Or should they just DNF and move on?

Saturday, 1pm: Finding Fairy Tales (Panel)

Did Charles Dickens write a Little Red Riding Hood novel? Is Jurassic Park a take on “Sleeping Beauty”? Our panelists will embark on a fairy tale hunt, finding them in unexpected (and perhaps unjustified) places.

Saturday, 8:30pm: Reading

I’m doing a reading! Not 100% sure what I’m reading yet, but probably one of my previously published short stories. Please come! I promise to be entertaining!

So there you have it! I’ll also be puttering around the Dealer’s Room, going to panels myself, and am always happy to meet fellow writers, fans, non-fans, or even just people who seem nice. Hopefully I’ll see you there!

My Boskone Schedule, 2018

Hello, friends! Are you in the Boston area? Are you planning to attend Boskone? No? Why the hell not?

What’s Boskone, you say?

Well, it’s only the New England Science Fiction Association’s annual scifi/fantasy convention, held each winter in my hometown of Boston, Massachusetts! This year, it will be February 16th-18th at the Westin Boston Waterfront Hotel.

It really is a top-notch convention, too, drawing writers, editors, and agents from all over the country, but most particularly the northeast (which includes a little town called New York City) and even the UK (given that Boston is about as close as you can get to England and still be in the US). I went last year as a fan and had a ton of fun. This year? They invited me to participate!

So, if you’re coming, here is my schedule of panels and what-not. Most of it is on Friday and I have a signing on Sunday. Perhaps most interestingly, I’m hosting my own Kaffeeklatch! Basically, you sign up/sit down with me and a small group of people and get to pick my brain for an hour. I hope to see some of you there!

My Schedule:

My Favorite Game

Format: Panel
16 Feb 2018, Friday 15:00 – 16:00, Lewis (Westin)

Join us as we explore the wonderful world of board games. Our panel of expert gamers will discuss their favorites from the past 10 years. We’ll compare bragging rights, and swap tales of our victories (or defeats). Let’s include our top ten lists — feel free to bring and share your own!

Auston Habershaw, Walter H. Hunt (M), Carlos Hernandez, Dan Moren, M. C. DeMarco

 

Law and Justice in Speculative Fiction

Format: Panel
16 Feb 2018, Friday 17:00 – 18:00, Burroughs (Westin)

In an SF or fantasy world, justice may be meted out by a familiar legal system, by religious hierarchies that rule through faith, by some corrupt order that props up an evil regime, etc. How do you show the complex evolution/interplay of a society and its justice system in a single tale? Why do so many stories concentrate on crime and criminals? How do you quickly sketch out a justice system for a culture that’s different from our own?

B. Diane Martin, Bracken MacLeod, Kenneth Schneyer (M), Alan Gordon, Auston Habershaw

 

The Sword in the Stone: A New Beginning for the Arthurian Legends?

Format: Panel
16 Feb 2018, Friday 18:00 – 19:00, Marina 2 (Westin)

First published in 1938 as a stand-alone tale, T. H. White’s The Sword in the Stone departs from older sources to (wonderfully) imagine King Arthur as a boy in Merrie Olde England. What did it bring to now-popular tropes such as shapeshifting, the hidden prince, or the magical education? Later incorporated into the first part of White’s 1958 novel The Once and Future King, it helped spark the musical Camelot. (And, of course, Spamalot.) Would we remember much about King Arthur, his Knights, and their Round Table without these books? How did they influence the wider fantasy genre? Have they been replaced by the stories they inspired?
Faye Ringel, Elizabeth Bear, E. Ardell, Auston Habershaw, Heather Albano (M)

 

Kaffeeklatsch: Auston Habershaw

Format: Kaffeeklatsch
16 Feb 2018, Friday 19:00 – 20:00, Harbor I – Kaffeeklatsch 1 (Westin)

Auston Habershaw

 

Autographing: Auston Habershaw, Christopher Paniccia, Max Gladstone

Format: Autographing
18 Feb 2018, Sunday 13:00 – 14:00, Galleria – Autographing (Westin)

Christopher Paniccia, Auston Habershaw, Max Gladstone

 

Come on down this February! I look forward to meeting you all!

Me on Stage! Tomorrow at ImprovBoston!

Tomorrow, if you live in the Boston area and have a free evening, you should really come on down to Improv Boston in Cambridge to see me interviewed on stage for their Spotlight Series, after which I gather there will be comedy improv based upon the things that I say. IB has a talented

Don’t worry – my henchmen aren’t very bright.

bunch of performers and it should be a hilarious, good time. You can also say hi to me afterwards, no doubt, as I will be there in the flesh and what-not. I mean, assuming you want to talk to me. You can also duck out the back door and dodge the goons I’ll have there waiting for you. That’s an option, too. But, you know, sooner or later you’re going to have to pay me that money you owe me, sooooo…

But I digress.

This will be the first time I will be on stage in this kind of performance setting since I left Improv Boston as a performer in 2005. In my five years with the theater, I performed in 12 different shows of varying sizes, directed and assistant directed a few shows, and was one of the architects of Quest – IB’s super-popular fantasy serial show. It was a great, great time and I made a lot of friends and learned a lot of things.

As the years have passed, I find my improv training comes in handy just about all the time. I am delightfully devoid of anything resembling stage fright – I will get up on stage in front of any number of people wearing anything and say whatever without really breaking a sweat (just don’t ask me to dance). I am a champion of doing things by the seat of my pants. It is very hard to knock me off-kilter when I’m teaching a class – I can work the class clown right back into the lesson without breaking stride. All of these things are life skills I either learned or honed through improv theater and have served me very well in my day-job as a lecturer and teacher.

It also helps my writing. Improv, in a lot of ways, is like the antithesis of writing a novel or story – what you do on an improv stage is collaborative, frequently aimless, and usually ephemeral. Writing a story is solitary, firmly directed, and intended to last. However, one of the biggest questions every writer fields is “where do you get your ideas” and nothing gives you a better answer than the skills you develop in improvisation. See, improv comes from everywhere and can be inspired by anything. There are stories and jokes and moments all around you, waiting to be observed. The improvisor sees these bits of inspiration, seizes upon them, and lets their imagination run rampant, free-associating and inhabiting the story they are weaving on the fly until some kind of pattern emerges to ground it. Writers basically do the same thing, just not out loud and not as quickly and not

Pictured: the writer’s mind.
Improv training can help you sort through this.

quite so randomly. Basically, improv is accelerated storytelling, preferring spur-of-the-moment inspiration to meticulous plotting. Now, this does mean that improv rarely rises to the dramatic heights that the plotted, well-considered, well-planned, well-crafted story can, but it manages to capture the excitement of creation and the feeling of wonder that eludes authors so often in an almost effortless way. And it is absolutely perfect for brainstorming new ideas, making new connections, and approaching your outlines loosely, giving your story the permission to breathe and change organically. Improv, in short, teaches you how to be loose without being out-of-control. It teaches you to work with chaos and make something rational out of it, and there are few more apt skills you can learn to become a writer.

So, this is basically a very long and involved way of saying: why don’t you come out Thursday evening, see me in a show, and maybe get exposed to a whole new way of storytelling. I think, in the end, you’ll really enjoy it.

 

World Fantasy Con 2017

Hello, friends!

First, allow me to apologize for my relative inactivity here over the past month. Things have gotten a little crazy in Habershaw-ville – there’s a novel deadline looming, the semester is in full swing, and a new baby has recently arrived, all of which has cut in to the time I use to keep this place updated. I’m certain my routine will stabilize sometime soon (I hope) and I’ll go back to posting once or twice a week.

But that isn’t why you came, is it?

San Antonio!

San Antonio’s scenic riverwalk, by night

This past weekend I attended World Fantasy Con in San Antonio and had a grand old time. I didn’t get on any programming myself, so I was worried it wasn’t going to be a productive trip, but boy was I pleasantly surprised to be wrong! Here’s what I did:

Panels

I got in on Friday afternoon and immediately attended some readings. I saw friend GV Anderson read from her story “I Am Not I” from the July/August F&SF. Then I went to see friend William Ledbetter read a bunch of flash pieces from various venues. It was a delight to finally meet both of them in person and their readings were very good.

During the rest of the weekend, I saw five panels.

Panel #1 – Borrowing From History: Intention and Appropriation

This panel interested me because, as a white man, I am concerned that I have not always done justice to other cultures I have portrayed (however indirectly) and wish to do better. I was hoping to get some tips on how to responsibly explore and portray cultures other than my own. Unfortunately, I didn’t really learn that. The panel was chiefly concerned with exclamations that appropriation is a problem (which I knew) and that publishers and gatekeepers have a lot of responsibility in giving persons of color greater voice (which, while true, wasn’t especially helpful for authors trying not to be exploitative). The general advice was to do your research and tell stories that do other cultures “well.” While I applaud the sentiment, such advice was sufficiently vague as to be practically useless.

Panel #2 – Religions of the African Diaspora: Beyond Zombies, Ancestors, and Giant Apes

This panel, made up almost entirely of African American academics and authors, was intended to discuss the vast array of African religions and discuss how to portray them in fiction. This, as it happened, wound up being mostly a panel about cultural appropriation, however it was much more useful and concrete from an author’s perspective. Panelists pointed out the hypocrisy of European views of Voudoun (“voodoo”), for instance, which is portrayed as a wicked blood magic when, at the same time, the Christian church frequently displays a corpse (the crucifix) and engages in blood magic itself (the Eucharist). It is not the ritual of voudoun that is frightening to a white audience, it is the fact that it is black people worshiping.

The panel was comprised of a lot of observations like this, demonstrating how so much history goes unresearched and  unknown because of accepted cultural and racial biases. It did a good job of getting me to be aware of those biases in myself and give me places to look to dispel them, which made it a lot better (in my opinion) than the previous panel.

Panel #3 – Ancient Cultures, Modern Sensibilities

This one was all about how and whether to use problematic aspects of ancient cultures (human sacrifice, incest, slavery, etc.) in modern fiction and how to portray characters living in those times as sympathetic even though their behavior doesn’t mesh with modern morality and taboos. It was interesting, but I don’t have any tidy soundbites for you.

Panel #4 – Which Witch is Which? Power and Portrayal of Magic in Fantasy Literature

This panel contrasted fictional witchcraft with historical (and contemporary) practice. It was very interesting, especially from a world-building perspective, as witchcraft has an incredibly varied history, ranging from simply local women practicing traditional medicine to those identified as the political enemies of the church all the way to modern Wicca and other traditions.

Panel #5 – The Secret History of the Hyborian Age

This late-night panel was basically for Conan enthusiasts and fans of Robert E Howard’s work. Panelists – mostly anthropologists and Howard historians – explained new revelations about Howard’s life, his work (and world-building) and his correspondence with HP Lovecraft (which was quite extensive, apparently – those two fought like cats for decades). The basic thesis was that Howard was far more conscientious about his world building than originally thought and was in some ways a precursor to the complex fantasy worlds common to the genre today. Fascinating stuff.

Books and Signings!

This year’s haul.

As usual, the WFC bookbag was amazing. I would post a picture of it, but wordpress is not cooperating and won’t upload any files. It contained such highlights as Martha Wells’ All Systems Red (which I later had signed), Cargill’s Sea of Rust, The Tiger’s Daughter by K. Arsenault Rivera, an issue of F&SF, and a bunch more stuff, too. I didn’t take all of it home (limited suitcase space), but the satchel bag was nice and the haul was probably the best I’ve gotten.

At the mass signing on Friday night, I ran into a lot of friends. I saw Sara Beth Durst with her super-professional spread (her own bookmarks and everything!). I ran into Beth Cato, who was hawking her super cool short fiction anthology Red Dust and Dancing Horses and, as usual, had cookies on-hand. C Stuart Hardwick was there, too, sitting in the corner and pretending not to be a science fiction author among fantasy authors (and, seriously, don’t we all read both?). I met Martha Wells and got her to sign her book, said hi to lots of other people, and overall had a great time.

People!

Beyond the official events, I spent a lot of time meeting new people and catching up with folks I already knew. I went out to dinner with a bunch of folks from my agency, had breakfast with Charlie Finlay of F&SF and a bunch of fellow F&SF authors, reconnected with Scott Anderson of Beneath Ceaseless Skies, and met a bunch of folks from Boston, of all places, who happened to be out in San Antonio and also happened to know people from my Writers of the Future year.

As a final note, my friend GV Anderson won the award for best story! How awesome is that?

So, yet another good year for the WFC. Next year is Baltimore, which is a short trip from Boston. I’ll definitely be there – I hope to see you, too!

Scifi/Fantasy Writing Twitter Chat! Today at 1pm and 8pm!

Hey, the real world is full of bad news today! Need to escape? Come join me and a bunch of other authors to chat about writing. 1pm EST and 8pm EST. The handle is #SFFChat. See you there!

WorldCon 75 Report!

Now that I’m back from Finland and suitably recovered from jetlag to do substantive work, I feel ready to tell you all how it went. Curious? Read on!

Helsinki

One of the primary reasons for me to go to WorldCon this year was to just check out Helsinki, as I rather doubt I’ll have many excuses to get to that corner of the world again. Overall, it was a really nice place – calm, clean, and easy to get around. The convention gave all members a metro pass for the duration of the convention, which was super convenient.

Though I didn’t get a chance to see a lot of the city, what I did see showed me a few things about how much nicer some American cities would be if they made necessary investments into public transit and bike infrastructure. The noise level in Helsinki was surprisingly low, traffic and congestion were minimal, and everybody seemed fairly calm. The quality of life there looks pretty high.

I was worried when going over that I would have trouble communicating, as I was having a hard time picking up any Finnish. Lucky for me, most of the Finns I met spoke enough English for me to get by (and a great many were wholly fluent). Everybody was very nice and I really don’t have much to complain about regarding my stay.

The Convention Center

It became clear really early on that the Finns had vastly underestimated how many people were going to want to go to WorldCon this year. This wasn’t exactly their fault – they based their estimates on previous years’ WorldCons in Europe and expected, based on membership sales, to host about 3500 people. They evidently got about 6500, many of whom purchased in the final week leading up to the kick-off.

Messukeskus, the Helsinki Convention Center, isn’t the biggest convention hall and, with that many extra bodies, it was really crowded. The corridors were kind of narrow, making it hard to get around, and getting into panels was difficult. You really had to line up at least a half-hour ahead of time to make it into any given panel, meaning the best you could hope for was a panel every other hour. The first day I was there (Thursday), I failed to get into most of the panels I wanted to because I hadn’t quite figured this out yet. It was a bit frustrating.

To their credit, the organizers *did* manage to get some extra space for Friday and Saturday panels, but even still it was a mob scene.

My Signing

Don’t I look all official?

My book signing was on Friday afternoon. It wasn’t exactly crowded, but I did manage to sign a few things and even sold a book to a convention goer (I had brought 4 books of my own, since the dealers floor didn’t have any of them – largely my own fault, as I should have been in better communication with my publisher). I also met urban fantasy author Russel Smith (writing under RA Smith), who was sitting next to me. We had a lovely chat.

Panels

Of the panels I attended, perhaps the most interesting was the last one – it was on how to write a fight scene and featured Elizabeth Bear, Sebastien de Castell, and a few others whose names are slipping my mind at the moment (sorry! Can’t find my program schedule!). Anyway, there was a lot of back and forth about how detailed a fight scene should be, but the biggest take-away was that fights aren’t interesting or entertaining unless the stakes were clear and the audience is engaged with the characters’ plights, which I agree with and is good to be reminded of sometimes.

I attended a bunch of other panels – too many to go over individually – but one thing I will say is that this particular convention had a much more academic slant than other conventions I’ve been to. Pretty much every panel had one or two academics on the subject present, rather than just a table of writers, editors, and agents. This gave a lot of the panels a more serious tone than usual and meant that a lot of the discussions reached into realms of literary criticism and academic theory rather than concrete craft-building advice or idea brainstorming. The academic side of me found this really interesting (at times), but the writer in me kinda wanted a little bit more practical and concrete writing discussion and less theory.

@winterhazelly even did an illustration of us all! Cool, right?

My own panels went well. The first – “Any Sufficiently Immersive Fantasy is Indistinguishable From Science Fiction” – featured me as moderator, Max Gladstone, Finnish academic Hanna Rikka-Roine, and British academic Farah Mendelsohn. The discussion was basically a genre distinction discussion: does Science Fiction do worldbuilding differently than Fantasy? The basic answer there was “not necessarily” and we talked a bit about what allowed fantasy or science fiction to be what was termed as “immersive.” One interesting point brought up was that science fiction more often had a clearer “what if” driving concept that affected how worlds were built, whereas fantasy often did not. Of course, all of these distinctions were subject to exceptions and variations and we were hasty to point out that rules in literature were made to be broken.

My second panel, on Saturday, was “It Can’t Happen Here.” It was a panel about the horror show of modern politics and how science fiction and fantasy can (or should) work to improve the world around us. It featured Cenk Gokce as moderator, me, Edmond Barret, Evil Ivo, and Cat Sparks. Overall, this panel was a surprising amount of fun (especially considering the subject matter) and, while we did spend a lot of time complaining about politics, we also spent a lot of time talking about how science fiction has the means to potentially reach people, give them ideas, and present problems in such a way that future generations can be inspired to find solutions. That is, of course, if global warming doesn’t kill us all first, I guess. Fun times!

People

RA Smith and I

While there, I met with my agent and my editor (good discussions both) and saw a few friends. I also made a bunch of new friends, too, including Russel Smith (my signing buddy), fellow swashbuckling fantasy author Sebastien de Castell, German military scifi author Robert Corvus and his friend Martin Schneider (who runs one of the best scifi conventions in Germany). I met a variety of Finns (Pasi Kallinen, in particular – hello!), Dutch, Irish, Americans, and British – new friends all. I also spent quite a lot of time alone, riding the trams and looking at the city.

I saw Max Gladstone (again) – I seem to see him at every con these days – and I met Joe Abercrombie for the first time (though I doubt he remembers me). I saw George RR Martin everywhere I went, but I didn’t talk to him (he always had a gaggle of fans around him). I met my editor’s wife (whom I gave a copy of

Sebastien de Castell, Robert Corvus, and me

my book), and met a great many other people besides.

 

Overall, a successful trip to Finland for WorldCon 75! Hopefully I’ll be able to go next year, too. Maybe I’ll see you all in San Jose!

I’m Off to Finland for WorldCon! (and my schedule)

Hello, Persons-who-read-my-blog!

In a few hours, I will be boarding a plane. This plane will cross an ocean and land in one place, and then I will get on another plane which will cross a continent and land in…

HELSINKI!

That’s right, campers – I’m off to Worldcon! To distant Scandanavia! So close to Russia and yet so far from Japan!

(but seriously, I need to get that song out of my head. The Finns will think I’m insane.)

Hopefully I will see some of you there. If not, hopefully I’ll see somebody I know. If, by some lucky confluence of events, you will happen to be there and happen to also wish to see me/meet me/accost me, this is where you’ll be able to find me:

Panel #1: Any Sufficiently Immersive Fantasy is Indistinguishable from Science Fiction

Thursday 15:00 – 16:00, 216 (Messukeskus)

In Rhetorics of Fantasy, Farah Mendlesohn made the observation that “immersive fantasy is that which is closest to science fiction”. Might there be any corollary on the side of science fiction, and what rhetorical devices make a work feel more as fantasy or as science fiction? And can the method used in Rhetorics of Fantasy be used fruitfully on science fiction too?

Signing: Auston Habershaw

Friday 14:00 – 15:00, Signing area (Messukeskus)

Panel #2: It Can’t Happen Here

Saturday 18:00 – 19:00, 216 (Messukeskus)

It can’t happen here:  Looking at the headlines these days, and many people seem to be thinking bad things can’t happen where they live, but then we get Brexit.  President Trump.  Turkey sliding into authoritarian theocracy.  Russia annexing Crimea with the international community watching.  What can history teach us about things that can happen, and how do we write SF that is not going to be dystopias after dystopias?  Heinlein’s story, Logic of Empire ends with the line “Things are bound to get a lot worse before they can get any better.”  Is this inevitable?  What can we do about it, and how can SF offer hope for the future with our fictional worlds?

So, there it is – my schedule! I hope to meet new people and see new things and learn new stuff. I also hope my book signing isn’t an hour of me sitting alone at a table (grand ambitions, I know).

See you all on the other side!

I’m Gonna Be On TV – TONIGHT, 8pm EST!

Watch it live! Or taped! Or whenever!

Hey, gang! I’m going to be interviewed on the Steve Katsos Show tonight at 8pm EST. Short notice, I know, but very exciting! If you’ve ever wanted to hear me talk or watch me be a real, live person, tonight is your chance!

I’ll be talking about my books (current and upcoming), my journey as a writer, and other things of (hopefully) popular interest.

It should be a fun time! Tune in!