Category Archives: Events
Hey, any of you nerds going to PAX East this year? If so, I think you should know that I and a select group of alpha nerds (Bobby Smithney, John Perich, John Serpico, and Samantha LeVangie) – authors, improvisors, directors, and teachers – will be heading up a panel on Roleplaying in the Now – how to use Improv skills in tabletop RPGs.
Have you ever wanted to break out of the monotony of killing things and taking their stuff? Have you ever wished there was a way to give your players more autonomy in a game without it driving you up the wall? Well, Improvisation in Roleplaying: How to Run a Game in the Now is the panel for you! A panel of experts (including me) who collectively have over 90 YEARS of tabletop gaming experience are going to tell you all about it. Oh, and here’s the kicker: PAX East (as of this posting) isn’t sold out for Thursday yet, so you can still go! There’s time!
So be there, or be a rhombus!
This is it! The Far Far Better Thing, Book 4 of The Saga of the Redeemed, is available today from all e-book retailers! In other words, the fantasy series that I imagined and started writing almost ten years ago has finally culminated in this epic work!
Auston Habershaw’s epic fantasy series, The Saga of the Redeemed, which began with The Oldest Trick, comes to a powerful conclusion in The Far Far Better Thing.
War has come to Eretheria.
With Tyvian Reldamar feigning his death, the forces that still carry his banner are left to fight a vicious battle against the warlord Banric Sahand and the noble houses that flock to his side.
Led by Myreon and Artus, this band of freedom fighters and angry rebels is faced with an enemy the likes of which they’ve never faced before: one who will do anything, no matter how brutal, to secure victory.
Having had his fill of death, Tyvian tries to run away from the war fought in his name, but it just isn’t that simple. With his mother held prisoner, Artus and Myreon in grave danger, and Xahlven pulling the strings in the background, the ring drags Tyvian to return and set things right.
But how can one man fix a world this broken? And what will be left behind when the smoke clears? No one can say for sure.
Least of all Tyvian.
I’ll have more to say about this at another time, when I can gather my thoughts, but I’d like to at this point offer a massive, heartfelt thank you to those fans of mine who have stuck with Tyvian through all his trials and tribulations – you are the absolute best, and this absolutely would not have been possible without you.
I’d also like to thank my wonderful beta readers – Katie, Brandon, and Jason – for keeping me sane and pointed in the right direction.
And, of course, my agent Joshua and editor David, also without whom there would be no book.
Now get out there and get reading!
Boskone is upon us! New England’s longest running science fiction and fantasy convention hits the Westin Waterfront Hotel this weekend in my home town, Boston! Not only will I be there, but many, many really interesting writers, editors, agents, artists, fans, and more! If you’re in the area, you really should swing by – it’s a really good con. For those already coming, I hope I’ll see you there! Also, check out my mini-interview here, on Boskone’s blog!
Here’s my schedule:
Editing Your Manuscript for Submission
Format: Discussion Group
15 Feb 2019, Friday 17:00 – 17:50, Griffin (Westin)
Join our panel of editors and agents for a discussion on what they look for in a submission. Is submitting to an agent different from submitting to an editor? Are they seeking the same or different things on first reads? Do you submit a precis, a chapter or chapters, the whole manuscript, or other material and, if so, to whom and when? How do you prepare your novel for submission? What are some tips and tricks on how to cut, embellish, or shape a manuscript?
Joshua Bilmes (JABberwocky Literary Agency) (M), Auston Habershaw (M)
The Trouble with Time Travel
15 Feb 2019, Friday 19:00 – 19:50, Harbor II (Westin)
Let’s consider the difficulties of time travel in the ever-changing multiverse. Can we change the past or not? What other interesting difficulties might real time travel present to real time travelers?
Ellen Asher, Kenneth Rogers Jr. (Lost Imaginations), Auston Habershaw, William Hayashi (M), Clarence Young (Zig Zag Claybourne)
Reading by Auston Habershaw
16 Feb 2019, Saturday 14:30 – 14:55, Independence (Westin)
Breaking Joseph Campbell’s Monomyth
17 Feb 2019, Sunday 10:00 – 10:50, Marina 4 (Westin)
Mythographer Joseph Campbell’s formula of the “hero’s journey” — an oh-so-familiar sequence of questing, crises, victory, and return — may not provide the only way to construct a story. But can narratives that don’t use this structure reach us as deeply? Is the hero’s journey applicable also to non-Western storytelling? Our panelists discuss Campbell’s “monomyth,” and whether and how to deviate from it. (For helpful graphics and resources, see http://www.sfcenter.ku.edu/Workshop-stuff/Joseph-Campbell-Hero-Journey.htm)
Auston Habershaw (M), John Clute, Teresa Nielsen Hayden (Tor Books), F. Brett Cox (Norwich University), Faye Ringel
Gimme That Old-Time Space Adventure
17 Feb 2019, Sunday 13:00 – 13:50, Harbor II (Westin)
The subgenre has been around a long time — but people still love a good space adventure story. Why? What are the greatest space sagas of the past, and what are the new classics of the field? How are they similar or different from each other? Do the new ones still have that good old goshwow sensawunda?
Brendan DuBois, John P. Murphy (M), MR Richardson (Room 10 Publishing), Auston Habershaw, Dan Moren
There you have it! See you all there!
Last weekend I had the immense pleasure of traveling to Charm City for the 2018 World Fantasy Convention! I had a blast. Unfortunately, this meant I barely took any pictures, so I guess a lot of what I’m about to relate you’re going to have to take my word as having happened. One of these days I’ll go to one of these things are remember to document stuff. Anyway:
The Con was held in the Renaissance Harborside Hotel. It was a nice hotel with a fairly sizeable convention space so that, if I hadn’t wanted to, I could have never left the hotel. As it stood, I barely did anyway – one dinner trip a five or ten minute drive away, a couple trips across the street. It does look like I was missing a lot, given the view out my window: dockside attractions, wooden tall ships, and naval vessel, etc..
Also, just by luck of my arrival, got upgraded to a suite for free since they didn’t have any rooms with king-size beds. I hadn’t really needed a king size (it was just me, after all) and had only selected that so that people who were sharing rooms could have one with two beds, but the hotel seemed to think they had made a grave error and so gave me a room with a slightly smaller bed, but with about three or four times the amount of floor space, for which I had absolutely no need whatsoever. It was weird, sleeping alone in a room that big. I don’t know how the crowned heads of Europe managed it without getting fat heads. (is handed note) Oh.
Oh, I see.
Most of my convention was full of professional meetings with my agent and others, so I didn’t attend as many panels as I usually do. I went to three:
You Got SciFi in My Fantasy! You Got Fantasy in My Scifi!
This was a panel about genre bending. It was evidently set up to be a fight, but nobody felt much like fighting – everyone basically agreed that bending genres was fun and exciting. The issue, it seemed, was only one of marketing: how does one get the powers-that-be in publishing to buy a manuscript they can’t figure out how to label and sell. Judging that Aliette de Bodard was on the panel as well as Scott Edelman, I think it’s safe to say doing so is very possible.
The Future of Fantasy
This panel was a discussion on what the Fantasy genre has in store for the future. It was, in essence, a panel about representation of marginalized groups in the genre, in which a panel of women and persons of color trumpeted their arrival as key players in the future. This is, of course, excellent news for the health and diversity of fantasy fiction, though the panel didn’t much delve into speculating what kinds of stories or conventions would be popular so much as the authors’ identities. They did name a wide number of antiquated, colonialist, and male-centered tropes that they wish would go away forever (fridging the girlfriend, for instance, or anything having to do with rape), to which I add a hearty hear-hear. We can all do better.
Monsters in Fantasy
This panel discussed the role of the monstrous in fantasy fiction and was my favorite panel of the convention. The discussion circled around monster-as-metaphor (“we want the monster to represent the terrible things in the world as that makes the story, ironically, safer for us”) versus monster-as-actual (war, fascism, humanity as monster). Line of the panel goes to my friend, Teresa Frohock:
People want to humanize Hitler by saying he liked dogs. Hitler only liked dogs because they were something he could control and dominate and train. Liking dogs didn’t make him less of a monster.
Like I said, it was a fun one.
Then I had my own reading! Previously, such readings have been, shall we say, sparsely attended, but this time I had
a pretty full house! Maybe 20 people (15 at least!) showed up to hear me read “The Lord of the Cul-de-sac,” a short story I published in the May 2016 issue of Galaxy’s Edge. It really went over well! People were laughing and enjoying my performance (I do voices, by the way. Weird, I know, but I can’t help it) and the rest of the con I had people coming up to me to shake my hand and tell me how good they thought my reading was. It was great!
I also got to meet another writing friend of mine, Ruth Vincent. Unfortunately she had only come out for the day and we were headed in opposite directions at the end of the reading, but at least she got a photo of me, Teresa, and her!
This, of course, leads me to the best part of the convention: the people. I ran into so many people I knew and had so many good conversations with new friends that this was one of the best conventions I’ve been to thus far, and certainly the best World Fantasy since I started going about three years ago. I saw Sarah Beth Durst several times (and got her to sign my daughters’ copy of The Girl Who Could Not Dream, which they loved). I chatted Dungeons and Dragons with BCS editor Scott Andrews. I met Mike Mammay and introduced him and his wife to the wonders of the Cheesecake Factory. I was taken to dinner by my agency, where I talked with a lot of very interesting people, including Neil Clarke and Aliette de Bodard. I hung out with my editor a bit and got to sit at the Harper Voyager table with SA Chakraborty and her family while we waited to hear if she’d won the World Fantasy Award (she didn’t, but we all had such a great time it scarcely mattered). If making friends and connections are what conventions are about (and that is what I think, anyway), this one was a resounding success.
I also met a lot of new and upcoming authors and a lot of people trying to get published or who are just fans. I had a lot of good conversations with them (at the Beneath Ceaseless Skies 10th anniversary party, for instance, we talked about race and gender in fantasy and it got pretty heavy) and walked away feeling like my world was a little larger and me a little less alone. I hope they felt the same way, and I look forward to seeing them at the next con.
See you all at Boskone this February!
Hello, lovely people!
I’m headed to Baltimore this weekend for the World Fantasy Convention! I’m super excited about this one, especially since it is a very short plane ride away, which means more time at the con! I’m looking forward to catching up with old friends, meeting new ones, and getting business done.
Now, on the odd chance you want to meet me, I’ll be about at the Mass Signing on Friday night (I *think* I’ll have a seat – I hope so, anyway) and I have a reading on Saturday at 5:30pm. I’m planning to read one of my short fiction pieces (hopefully I can fit it into the half-hour!), and it should be a lot of fun.
I’ll see you there!
Hello, lovely people!
This weekend I’ll be attending Readercon – a local scifi/fantasy convention in the city directly adjacent to my lovely hometown, Boston. That city is Quincy, Massachusetts – the City of Presidents! Ah, yes – I spent many a childhood year in Quincy Center, lurking through the aisles of New England Comics, Hobbytown, and the two local bookstores. It remains the first place I ever saw a pigeon with no feet, and also was the place you were most likely to see someone smoking directly underneath a No Smoking sign. And that person would probably be a cop.
But I digress.
The convention is to be held in the lovely Quincy Marriott, high atop a rocky granite knoll, a little like Castle Ravenloft, but with significantly brighter decor and better guest amenities. I will be there along with many other writer friends from the Boston area and beyond, and I entreat you to join us!
If you have a hankering to see me this weekend, here’s where and when I’ll be about:
Friday, 11am: Gamification of Story Development (Panel)
Story-focused games can be useful tools for authors. What happens when a writer draws up a character sheet for their protagonist and lets someone else play it out? Which gaming systems are best suited to developing stories? How can games support writing without creating chaos?
Friday, Noon: Book Signing!
I’ll be signing any and all copies of anything I’ve ever written at the autograph table! Please come visit! I’ll even have a few books stuffed in my pockets for sale if they aren’t on the Dealer’s Floor.
Friday, 3pm: On Dislike: Between Meh and Rage (Panel)
Writers know that reading widely is vitally important for a multitude of reasons, including learning from great books and learning what not to do from poor ones. But what can writers get out of books they feel indifferent to? Or should they just DNF and move on?
Saturday, 1pm: Finding Fairy Tales (Panel)
Did Charles Dickens write a Little Red Riding Hood novel? Is Jurassic Park a take on “Sleeping Beauty”? Our panelists will embark on a fairy tale hunt, finding them in unexpected (and perhaps unjustified) places.
Saturday, 8:30pm: Reading
I’m doing a reading! Not 100% sure what I’m reading yet, but probably one of my previously published short stories. Please come! I promise to be entertaining!
So there you have it! I’ll also be puttering around the Dealer’s Room, going to panels myself, and am always happy to meet fellow writers, fans, non-fans, or even just people who seem nice. Hopefully I’ll see you there!
Hello, friends! Are you in the Boston area? Are you planning to attend Boskone? No? Why the hell not?
What’s Boskone, you say?
Well, it’s only the New England Science Fiction Association’s annual scifi/fantasy convention, held each winter in my hometown of Boston, Massachusetts! This year, it will be February 16th-18th at the Westin Boston Waterfront Hotel.
It really is a top-notch convention, too, drawing writers, editors, and agents from all over the country, but most particularly the northeast (which includes a little town called New York City) and even the UK (given that Boston is about as close as you can get to England and still be in the US). I went last year as a fan and had a ton of fun. This year? They invited me to participate!
So, if you’re coming, here is my schedule of panels and what-not. Most of it is on Friday and I have a signing on Sunday. Perhaps most interestingly, I’m hosting my own Kaffeeklatch! Basically, you sign up/sit down with me and a small group of people and get to pick my brain for an hour. I hope to see some of you there!
My Favorite Game
16 Feb 2018, Friday 15:00 – 16:00, Lewis (Westin)
Join us as we explore the wonderful world of board games. Our panel of expert gamers will discuss their favorites from the past 10 years. We’ll compare bragging rights, and swap tales of our victories (or defeats). Let’s include our top ten lists — feel free to bring and share your own!
Auston Habershaw, Walter H. Hunt (M), Carlos Hernandez, Dan Moren, M. C. DeMarco
Law and Justice in Speculative Fiction
16 Feb 2018, Friday 17:00 – 18:00, Burroughs (Westin)
In an SF or fantasy world, justice may be meted out by a familiar legal system, by religious hierarchies that rule through faith, by some corrupt order that props up an evil regime, etc. How do you show the complex evolution/interplay of a society and its justice system in a single tale? Why do so many stories concentrate on crime and criminals? How do you quickly sketch out a justice system for a culture that’s different from our own?
B. Diane Martin, Bracken MacLeod, Kenneth Schneyer (M), Alan Gordon, Auston Habershaw
The Sword in the Stone: A New Beginning for the Arthurian Legends?
16 Feb 2018, Friday 18:00 – 19:00, Marina 2 (Westin)
First published in 1938 as a stand-alone tale, T. H. White’s The Sword in the Stone departs from older sources to (wonderfully) imagine King Arthur as a boy in Merrie Olde England. What did it bring to now-popular tropes such as shapeshifting, the hidden prince, or the magical education? Later incorporated into the first part of White’s 1958 novel The Once and Future King, it helped spark the musical Camelot. (And, of course, Spamalot.) Would we remember much about King Arthur, his Knights, and their Round Table without these books? How did they influence the wider fantasy genre? Have they been replaced by the stories they inspired?
Faye Ringel, Elizabeth Bear, E. Ardell, Auston Habershaw, Heather Albano (M)
Kaffeeklatsch: Auston Habershaw
16 Feb 2018, Friday 19:00 – 20:00, Harbor I – Kaffeeklatsch 1 (Westin)
Autographing: Auston Habershaw, Christopher Paniccia, Max Gladstone
18 Feb 2018, Sunday 13:00 – 14:00, Galleria – Autographing (Westin)
Christopher Paniccia, Auston Habershaw, Max Gladstone
Come on down this February! I look forward to meeting you all!
Tomorrow, if you live in the Boston area and have a free evening, you should really come on down to Improv Boston in Cambridge to see me interviewed on stage for their Spotlight Series, after which I gather there will be comedy improv based upon the things that I say. IB has a talented
bunch of performers and it should be a hilarious, good time. You can also say hi to me afterwards, no doubt, as I will be there in the flesh and what-not. I mean, assuming you want to talk to me. You can also duck out the back door and dodge the goons I’ll have there waiting for you. That’s an option, too. But, you know, sooner or later you’re going to have to pay me that money you owe me, sooooo…
But I digress.
This will be the first time I will be on stage in this kind of performance setting since I left Improv Boston as a performer in 2005. In my five years with the theater, I performed in 12 different shows of varying sizes, directed and assistant directed a few shows, and was one of the architects of Quest – IB’s super-popular fantasy serial show. It was a great, great time and I made a lot of friends and learned a lot of things.
As the years have passed, I find my improv training comes in handy just about all the time. I am delightfully devoid of anything resembling stage fright – I will get up on stage in front of any number of people wearing anything and say whatever without really breaking a sweat (just don’t ask me to dance). I am a champion of doing things by the seat of my pants. It is very hard to knock me off-kilter when I’m teaching a class – I can work the class clown right back into the lesson without breaking stride. All of these things are life skills I either learned or honed through improv theater and have served me very well in my day-job as a lecturer and teacher.
It also helps my writing. Improv, in a lot of ways, is like the antithesis of writing a novel or story – what you do on an improv stage is collaborative, frequently aimless, and usually ephemeral. Writing a story is solitary, firmly directed, and intended to last. However, one of the biggest questions every writer fields is “where do you get your ideas” and nothing gives you a better answer than the skills you develop in improvisation. See, improv comes from everywhere and can be inspired by anything. There are stories and jokes and moments all around you, waiting to be observed. The improvisor sees these bits of inspiration, seizes upon them, and lets their imagination run rampant, free-associating and inhabiting the story they are weaving on the fly until some kind of pattern emerges to ground it. Writers basically do the same thing, just not out loud and not as quickly and not
quite so randomly. Basically, improv is accelerated storytelling, preferring spur-of-the-moment inspiration to meticulous plotting. Now, this does mean that improv rarely rises to the dramatic heights that the plotted, well-considered, well-planned, well-crafted story can, but it manages to capture the excitement of creation and the feeling of wonder that eludes authors so often in an almost effortless way. And it is absolutely perfect for brainstorming new ideas, making new connections, and approaching your outlines loosely, giving your story the permission to breathe and change organically. Improv, in short, teaches you how to be loose without being out-of-control. It teaches you to work with chaos and make something rational out of it, and there are few more apt skills you can learn to become a writer.
So, this is basically a very long and involved way of saying: why don’t you come out Thursday evening, see me in a show, and maybe get exposed to a whole new way of storytelling. I think, in the end, you’ll really enjoy it.
First, allow me to apologize for my relative inactivity here over the past month. Things have gotten a little crazy in Habershaw-ville – there’s a novel deadline looming, the semester is in full swing, and a new baby has recently arrived, all of which has cut in to the time I use to keep this place updated. I’m certain my routine will stabilize sometime soon (I hope) and I’ll go back to posting once or twice a week.
But that isn’t why you came, is it?
This past weekend I attended World Fantasy Con in San Antonio and had a grand old time. I didn’t get on any programming myself, so I was worried it wasn’t going to be a productive trip, but boy was I pleasantly surprised to be wrong! Here’s what I did:
I got in on Friday afternoon and immediately attended some readings. I saw friend GV Anderson read from her story “I Am Not I” from the July/August F&SF. Then I went to see friend William Ledbetter read a bunch of flash pieces from various venues. It was a delight to finally meet both of them in person and their readings were very good.
During the rest of the weekend, I saw five panels.
Panel #1 – Borrowing From History: Intention and Appropriation
This panel interested me because, as a white man, I am concerned that I have not always done justice to other cultures I have portrayed (however indirectly) and wish to do better. I was hoping to get some tips on how to responsibly explore and portray cultures other than my own. Unfortunately, I didn’t really learn that. The panel was chiefly concerned with exclamations that appropriation is a problem (which I knew) and that publishers and gatekeepers have a lot of responsibility in giving persons of color greater voice (which, while true, wasn’t especially helpful for authors trying not to be exploitative). The general advice was to do your research and tell stories that do other cultures “well.” While I applaud the sentiment, such advice was sufficiently vague as to be practically useless.
Panel #2 – Religions of the African Diaspora: Beyond Zombies, Ancestors, and Giant Apes
This panel, made up almost entirely of African American academics and authors, was intended to discuss the vast array of African religions and discuss how to portray them in fiction. This, as it happened, wound up being mostly a panel about cultural appropriation, however it was much more useful and concrete from an author’s perspective. Panelists pointed out the hypocrisy of European views of Voudoun (“voodoo”), for instance, which is portrayed as a wicked blood magic when, at the same time, the Christian church frequently displays a corpse (the crucifix) and engages in blood magic itself (the Eucharist). It is not the ritual of voudoun that is frightening to a white audience, it is the fact that it is black people worshiping.
The panel was comprised of a lot of observations like this, demonstrating how so much history goes unresearched and unknown because of accepted cultural and racial biases. It did a good job of getting me to be aware of those biases in myself and give me places to look to dispel them, which made it a lot better (in my opinion) than the previous panel.
Panel #3 – Ancient Cultures, Modern Sensibilities
This one was all about how and whether to use problematic aspects of ancient cultures (human sacrifice, incest, slavery, etc.) in modern fiction and how to portray characters living in those times as sympathetic even though their behavior doesn’t mesh with modern morality and taboos. It was interesting, but I don’t have any tidy soundbites for you.
Panel #4 – Which Witch is Which? Power and Portrayal of Magic in Fantasy Literature
This panel contrasted fictional witchcraft with historical (and contemporary) practice. It was very interesting, especially from a world-building perspective, as witchcraft has an incredibly varied history, ranging from simply local women practicing traditional medicine to those identified as the political enemies of the church all the way to modern Wicca and other traditions.
Panel #5 – The Secret History of the Hyborian Age
This late-night panel was basically for Conan enthusiasts and fans of Robert E Howard’s work. Panelists – mostly anthropologists and Howard historians – explained new revelations about Howard’s life, his work (and world-building) and his correspondence with HP Lovecraft (which was quite extensive, apparently – those two fought like cats for decades). The basic thesis was that Howard was far more conscientious about his world building than originally thought and was in some ways a precursor to the complex fantasy worlds common to the genre today. Fascinating stuff.
Books and Signings!
As usual, the WFC bookbag was amazing. I would post a picture of it, but wordpress is not cooperating and won’t upload any files. It contained such highlights as Martha Wells’ All Systems Red (which I later had signed), Cargill’s Sea of Rust, The Tiger’s Daughter by K. Arsenault Rivera, an issue of F&SF, and a bunch more stuff, too. I didn’t take all of it home (limited suitcase space), but the satchel bag was nice and the haul was probably the best I’ve gotten.
At the mass signing on Friday night, I ran into a lot of friends. I saw Sara Beth Durst with her super-professional spread (her own bookmarks and everything!). I ran into Beth Cato, who was hawking her super cool short fiction anthology Red Dust and Dancing Horses and, as usual, had cookies on-hand. C Stuart Hardwick was there, too, sitting in the corner and pretending not to be a science fiction author among fantasy authors (and, seriously, don’t we all read both?). I met Martha Wells and got her to sign her book, said hi to lots of other people, and overall had a great time.
Beyond the official events, I spent a lot of time meeting new people and catching up with folks I already knew. I went out to dinner with a bunch of folks from my agency, had breakfast with Charlie Finlay of F&SF and a bunch of fellow F&SF authors, reconnected with Scott Anderson of Beneath Ceaseless Skies, and met a bunch of folks from Boston, of all places, who happened to be out in San Antonio and also happened to know people from my Writers of the Future year.
As a final note, my friend GV Anderson won the award for best story! How awesome is that?
So, yet another good year for the WFC. Next year is Baltimore, which is a short trip from Boston. I’ll definitely be there – I hope to see you, too!
Hey, the real world is full of bad news today! Need to escape? Come join me and a bunch of other authors to chat about writing. 1pm EST and 8pm EST. The handle is #SFFChat. See you there!