Writing advice from successful authors can be a unique form of psychic torture. Let me share with you my own personal hell demon:
Oh, God, this one drives me crazy. The reason it drives me crazy is because I think he’s right but, by the same token, I live a life that prevents me from reading even a quarter as much as I’d like to. I would estimate I read about 10-15 books a year for my own pleasure. All of this happens during the summer. The rest of my life is spent re-reading texts I’m going to be teaching for the fall and spring semesters (approximately 20 books) and then reading all the student papers I need to grade (which works out to about 4800 pages a year, give or take a few hundred–call that another 10-15 books). So, you know, I do actually read the equivalent of 40-50 books a year, but only 25% of those are ones I actually get to pick. Therefore, I go around feeling as though I’m not able to do the thing I evidently need to do in order to be a writer.
But, of course, I am a writer – a published author with book deals and short story pubs and one award under my belt – so clearly I’m doing okay on some level.
There are literally hundreds of pieces of advice like this floating through the ether. Join a writer’s group and you’ll hear all of them. “You must write every day!” and “Write what you know!” and “Finish everything you start!” and so on and so forth. Listen to them long enough, and you’ll get it into your head that the only way to be a successful writer is to already be a successful author who can do nothing but author things all day long and, on top of that, have no real life outside of the written word (oh, wait, but that violates that rule about “lived experience is the only way to write with authenticity.”).
There is a lot of truth to a lot of these things – they can and do work for a lot of authors. None of them, though, is set in stone. To quote Hemingway:
We are all apprentices in a craft where no one ever becomes a master.
That, right there, is probably the best bit of writing advice anybody can give you beyond “put your butt in the chair and write.” All of us – every damned one of us – is kinda making this up as we go along. Nobody has it figured out. One of the weirdest things I’m learning as I go is that every single novel is difficult and easy in completely unique ways compared to all my previous novels. Now, does that mean it’s true for you? Maybe it is, maybe it isn’t. Who the hell knows?
The point here is that listening to too much good-intentioned advice is a good way to scare the hell out of yourself before you’ve even gotten started. Take the recent Twitter discussion among many authors I follow regarding how old you can or should be to begin writing. The consensus is that, ultimately, you can become a writer at any age – there is no aging-out in storytelling. And then we’ve got Chuck Wendig pointing out that he published his first novel at 36 (Hey! Me too!) and now has published 20 novels.
In only 4 years.
Wait…wait…20 books in 4 years? I’ve only published two in two years! Holy shit, how much of my time have I been wasting? What is wrong with me? WHY CAN’T I ALSO DO THAT?
Okay, okay…cool it down. It’s all right. It’s not a race. It’s not even a competition. Keep your eyes on your own paper, Habershaw. Work your own problem. Wendig’s pace is not your pace. That’s not how this works.
And, ultimately, that’s my main point here. There are no rules on how to do this thing. There is no time limit, no required pace, no set reading list. You have to sit down and write, yeah, but how and when and where and how often are something you need to negotiate with yourself. That also doesn’t mean you should be so arrogant as to assume you know it all already and will discount any advice that comes your way – listen, take notes, absorb. But then, in the end, it is you doing the writing, and only you can solve that problem. And, given the drive, you will solve it.