Blog Archives

World Fantasy 2018 Baltimore: Con Report

Last weekend I had the immense pleasure of traveling to Charm City for the 2018 World Fantasy Convention! I had a blast. Unfortunately, this meant I barely took any pictures, so I guess a lot of what I’m about to relate you’re going to have to take my word as having happened. One of these days I’ll go to one of these things are remember to document stuff. Anyway:

The Location

The view from my hotel room

The Con was held in the Renaissance Harborside Hotel. It was a nice hotel with a fairly sizeable convention space so that, if I hadn’t wanted to, I could have never left the hotel. As it stood, I barely did anyway – one dinner trip a five or ten minute drive away, a couple trips across the street. It does look like I was missing a lot, given the view out my window: dockside attractions, wooden tall ships, and naval vessel, etc..

Also, just by luck of my arrival, got upgraded to a suite for free since they didn’t have any rooms with king-size beds. I hadn’t really needed a king size (it was just me, after all) and had only selected that so that people who were sharing rooms could have one with two beds, but the hotel seemed to think they had made a grave error and so gave me a room with a slightly smaller bed, but with about three or four times the amount of floor space, for which I had absolutely no need whatsoever. It was weird, sleeping alone in a room that big. I don’t know how the crowned heads of Europe managed it without getting fat heads. (is handed note) Oh.
Oh, I see.

The Event

Most of my convention was full of professional meetings with my agent and others, so I didn’t attend as many panels as I usually do. I went to three:

You Got SciFi in My Fantasy! You Got Fantasy in My Scifi!

This was a panel about genre bending. It was evidently set up to be a fight, but nobody felt much like fighting – everyone basically agreed that bending genres was fun and exciting. The issue, it seemed, was only one of marketing: how does one get the powers-that-be in publishing to buy a manuscript they can’t figure out how to label and sell. Judging that Aliette de Bodard was on the panel as well as Scott Edelman, I think it’s safe to say doing so is very possible.

The Future of Fantasy

This panel was a discussion on what the Fantasy genre has in store for the future. It was, in essence, a panel about representation of marginalized groups in the genre, in which a panel of women and persons of color trumpeted their arrival as key players in the future. This is, of course, excellent news for the health and diversity of fantasy fiction, though the panel didn’t much delve into speculating what kinds of stories or conventions would be popular so much as the authors’ identities. They did name a wide number of antiquated, colonialist, and male-centered tropes that they wish would go away forever (fridging the girlfriend, for instance, or anything having to do with rape), to which I add a hearty hear-hear. We can all do better.

Monsters in Fantasy

This panel discussed the role of the monstrous in fantasy fiction and was my favorite panel of the convention. The discussion circled around monster-as-metaphor (“we want the monster to represent the terrible things in the world as that makes the story, ironically, safer for us”) versus monster-as-actual (war, fascism, humanity as monster). Line of the panel goes to my friend, Teresa Frohock:

People want to humanize Hitler by saying he liked dogs. Hitler only liked dogs because they were something he could control and dominate and train. Liking dogs didn’t make him less of a monster.

Like I said, it was a fun one.

My Reading

Then I had my own reading! Previously, such readings have been, shall we say, sparsely attended, but this time I had

From left to right: Teresa, Ruth, and me

a pretty full house! Maybe 20 people (15 at least!) showed up to hear me read “The Lord of the Cul-de-sac,” a short story I published in the May 2016 issue of Galaxy’s Edge. It really went over well! People were laughing and enjoying my performance (I do voices, by the way. Weird, I know, but I can’t help it) and the rest of the con I had people coming up to me to shake my hand and tell me how good they thought my reading was. It was great!

I also got to meet another writing friend of mine, Ruth Vincent. Unfortunately she had only come out for the day and we were headed in opposite directions at the end of the reading, but at least she got a photo of me, Teresa, and her!

The People

This, of course, leads me to the best part of the convention: the people. I ran into so many people I knew and had so many good conversations with new friends that this was one of the best conventions I’ve been to thus far, and certainly the best World Fantasy since I started going about three years ago. I saw Sarah Beth Durst several times (and got her to sign my daughters’ copy of The Girl Who Could Not Dream, which they loved). I chatted Dungeons and Dragons with BCS editor Scott Andrews. I met Mike Mammay and introduced him and his wife to the wonders of the Cheesecake Factory. I was taken to dinner by my agency, where I talked with a lot of very interesting people, including Neil Clarke and Aliette de Bodard. I hung out with my editor a bit and got to sit at the Harper Voyager table with SA Chakraborty and her family while we waited to hear if she’d won the World Fantasy Award (she didn’t, but we all had such a great time it scarcely mattered). If making friends and connections are what conventions are about (and that is what I think, anyway), this one was a resounding success.

I also met a lot of new and upcoming authors and a lot of people trying to get published or who are just fans. I had a lot of good conversations with them (at the Beneath Ceaseless Skies 10th anniversary party, for instance, we talked about race and gender in fantasy and it got pretty heavy) and walked away feeling like my world was a little larger and me a little less alone. I hope they felt the same way, and I look forward to seeing them at the next con.

See you all at Boskone this February!

Advertisements

The Benefits of Distance

One of the things I always tell my students is that proofreading right after finishing something is a waste of time. You just can’t see most of the stupid typos and awkward sentences you just wrote because you just wrote them. Your brain (your lazy, lazy human brain) just kind of handwaves it all away – yeah yeah, it’s fine, pal. C’mon, lets get some pizza or something…

“Jesus, is *this* ever a pile of crap! Wow.” ~Ernest Hemingway, probably

Well, this doesn’t just apply to college undergrads, as any author or writer will confirm. Hell, it’s the whole reason editors exist – you, the writer, are just too damned close to your own work to be a good judge of it. You need distance and objectivity. There are only two means to accomplish this that I know of. One is the aforementioned editor, and the other is distance. You’ve got to put the story down, move off, let it set, and ideally forget all about it. That way, when you come back, you can look at the work with clear(er) eyes.

Of course, this means all works of writing exist in this kind of Schrodinger’s Cat-Box space where what you wrote is simultaneously brilliant and terrible until, at long last, you open it up to check, at which point the quantum wave function collapses and you’re suddenly cursing yourself for not having a keen grasp of syntax. This is painful – acutely painful, actually – but it’s also a necessary part of the writing process. “The first draft of everything,” says Hemingway, “is shit.”

But then there’s that other possibility.

You write the draft. Heck, you revise the draft. You revise it again. And still it’s garbage. You don’t know why it’s garbage (if you did, you could fix it), but you know it is. You put it in a drawer in disgust and resolve never to look at it again. But then, one day, you do anyway.

Or this version:

“By all the gods…this…this is freaking GREAT!”

You write a story. At the time, you think it’s pretty good and, whaddya know, you actually sell the damned thing! It’s going to be published! But, of course, the publication sits on the story for a while – maybe even longer than a year – and you, of course, have been writing other stuff. Better stuff, you think, because you’ve been working hard at leveling up your craft and pushing boundaries. And sometimes you think back to that story you wrote and assume it probably wasn’t that good after all – it was so long ago, and you are a different writer now, and you kinda-sorta dread it coming out. But then…then the copyedits come in and you read it again for the first time in over a year…

And it’s actually pretty goddamned awesome. Like really awesome. Like “wow, I actually pulled this off, didn’t I?” awesome.

That right there, friends, is among the best feelings you ever get in writing. Because what it means is that, despite all your insecurities and doubts and bouts of impostor syndrome, it means that you, author, actually have some idea of what you’re about and, by all indications, maybe you always have. That makes you feel like a million bucks, let me tell you, because if there’s one thing – one consistent thing – that all writers have to struggle with, it is fighting that never-ending, nagging possibility that you are out of your goddamned mind and living in a deluded fantasy world where your stories are worth the paper they’re printed on.

Now, it just so happens that this very thing happened to me just today. I got the copyedits back for a story I sold a good while ago to Stupefying Stories. They have a new anthology dropping soon and I’m in it, and the story I’ve got in there – “Upon the Blood-dark Sea” – is honestly a really solid tale about pirates and dream magic and boiling oceans, an homage to the work of guys like Robert E Howard and Edgar Rice Burroughs. I’ll announce when the book is out, but for now you can check out the table of contents on their website.  Bruce Bethke, the editor, always manages to put together a hell of an anthology and I’m looking forward to this one. Go and check it out!

The Far Far Better Thing: Pre-order NOW!

Pre-order now!

Big news: the final book in the Saga of the Redeemed, The Far Far Better Thing, is now really (for serious) coming out in March of 2019. You can pre-order it now from everywhere fine e-books are sold! At long last, the dramatic conclusion of Tyvian’s journey is at hand! Check it out:

Auston Habershaw’s epic fantasy series, The Saga of the Redeemed, which began with The Oldest Trick, comes to a powerful conclusion in The Far Far Better Thing.

War has come to Eretheria.

With Tyvian Reldamar feigning his death, the forces that still carry his banner are left to fight a vicious battle against the warlord Banric Sahand and the noble houses that flock to his side.

Led by Myreon and Artus, this band of freedom fighters and angry rebels is faced with an enemy the likes of which they’ve never faced before: one who will do anything, no matter how brutal, to secure victory.

Having had his fill of death, Tyvian tries to run away from the war fought in his name, but it just isn’t that simple. With his mother held prisoner, Artus and Myreon in grave danger, and Xahlven pulling the strings in the background, the ring drags Tyvian to return and set things right.

But how can one man fix a world this broken? And what will be left behind when the smoke clears? No one can say for sure.

Least of all Tyvian.

 

Sounds grim, right? Ominous? Yes! But it’s also fun and wonderful and I daresay I’m very proud of it. I can’t wait for you all to get a chance to read it, and thank you to everyone who’s supported me and gotten me this far!

Oh, and did I mention pre-orders really help my Amazon ranking once the book releases? It’s true! And, for those of you who have read the previous books but haven’t told anyone – tell people! Word of mouth is the best way to sell books there is, and these books of mine could use some attention, so if you liked them, recommend them to a friend! Write a review (anywhere! Goodreads, Amazon, B&N, your blog, Twitter, whatever!)!

Thanks again, everyone, and pre-order Book 4 today!

Sex in Fantasy

I’m in the middle of reading The Grey Bastards by Jonathan French. I’ll hold off on a full review right now, as I’m not quite halfway through the book, but there is one thing that I keep noticing: the book is averaging a naked woman every chapter.

So, yeah, it’s a thing. But why is it a thing?

Now, I’m not offended by this inherently. I like a naked woman as much as the next guy, I suppose. But these naked women…these are not love scenes we’re getting here. This is just pure sex, edging towards the pornographic. The women are described as sexual objects for the purpose of arousal. To be fair to French, he does the exact same thing to the male characters, too – lingering on descriptions of their muscular backs, their strong arms, and the rough dimensions of their penises.

French is not alone here. This kind of writing is fairly common in fantasy as a genre and in literature as a whole, and the purpose of this post is not to call out French as doing something wrong specifically so much as it is for me to wonder aloud why it’s being done at all.

Because, I kinda feel like those scenes – the graphic, sexually charged descriptive passages about breasts and buttocks and genitals – are totally superfluous to the story. Here I am, in the middle of a intrigue laden plot in a harsh land full of half-orcs and we have, suddenly and for no reason, a naked elf maiden hanging from the ceiling or the main character fondling some muscular half-orc female’s boobs. These moments are clearly intended to arouse but…like…why?

I dunno. Maybe I’m getting old or something.

It should be noted that this is, overall, a solid book.

I remember being sixteen or so and reading The Far Kingdoms by Allan Cole and Chris Bunch. The opening scene had the main character – the dashing, fit, and charismatic Amalric – having sex with an incredibly gorgeous woman. This scene was described in deliberate detail and, as an adolescent in the pre-internet era, it was possibly the most erotic thing I’d ever experienced. I confess to reading that specific passage over and over again. But it had nothing to do with the story and in no way advanced or improved the scene beyond giving a teenager an erection.

And, like, what the fuck is going on with that, anyway? Why do that? I’m picking up this novel for a solid adventure story – I want excitement and danger and mystery and, yes, even romance. But I’m not looking to be aroused. In fact, it’s damned distracting when a novel is trying to turn me on in the midst of what is otherwise a tense and gritty tale of survival and gore. Maybe I’m alone here, but those are totally different channels for me. I’m so concerned about man-eating centaurs showing up or giant oozes dissolving the protagonists that time spent lingering on the curve of some female character’s ass is, like, really weird. 

This is not to say that sex scenes – even graphic sex scenes – don’t have their place in this genre (or any genre). I’m not even going to sit here and tell you that sex scenes should be restricted to those who are in love. What I am saying is that a sex scene needs to serve the plot somehow – it needs to be important and consequential or even just thematically related. In Neuromancer, Molly is clearly sexualized, but Gibson is making a deliberate point with that sexualization – she is a woman trying to reclaim her agency. When she has sex with Case (and yeah, that’s a pretty graphic sex scene), she is firmly in control, telling Case exactly what to do and not to do. He is powerless to resist her, physically or otherwise. That scene, and how Molly is presented in it, is immediately relevant to the characters’ relationship, to the plot, and to the broader themes Gibson is exploring. So, in other words, it works.

In general, the same rules that make a fight scene work apply to the sex scene. Random, gratuitous violence that fails to advance the plot or affect the main character is boring. The reader is not invested in the battle and vaguely wondering why and, in the worst cases, ends up skimming ahead a bit. The stakes are not clear and the relevance is not established. Same goes for sex: if two characters are screwing for no reason other than to describe how their genitals are currently in use and how much they enjoy that, then the reader is going to feel like we just took a little side trip into some weird little fantasy inside the fantasy we were already reading.

And this doesn’t even touch upon the whole male gaze/patriarchal thing we have going on, too, that is driving and underpinning the whole affair. That is arguably even more problematic and is in large part responsible for this kind of thing much of the time anyway. But that’s both a huge issue and somewhat parallel to what I’m saying here – I’ll save it for a post for another day.

In general, my point is this: go ahead and write boobs and penises! Just make sure the boobs and penises are on topic, writers!

Talking about Villains on Stupefying Stories!

Hey there, Haber-fans (which is what I’m calling you all now. Yes, all ten of you. No, there is no appeals process)!

I’ve got an op-ed up on Stupefying Stories’ “Talking Shop” that’s all on how to go about creating a great villain. Go there (click those links!) and check out my five rules for writing the best (worst?) baddies. Go now!

Also of note: I’ve got a story coming out in Stupefying Stories soon. How soon? I don’t know, exactly, but soon! I’m very pleased. Stupefying Stories published some of my first work about six years back and editor Bruce Bethke always puts together a quality anthology. If you’re looking for a market to submit to or, more importantly, a underappreciated short story market to read, I recommend them highly.

Anyway, I now return you to your regularly scheduled internet.

COVER REVEAL: The Far Far Better Thing – Book 4 of the Saga of the Redeemed

Things are moving quickly in Reldamar-land! My publisher has already put together the cover for the fourth and final book in the Saga of the Redeemed. Behold!

Sinister, yes? Yes.

This also means pre-orders are up on Amazon and elsewhere, so order your copy today for the last hurrah for Tyvian and Company! I have a draft of the back cover copy, but I’m not going to post it yet, as I know many fans are still in the middle of DEAD BUT ONCE and I don’t want to spoil anything, but this is exciting, yes? The series should be all released and complete by September 4th, 2018!

Want to know what it was like to write all these books? Well, I’ve got an article up on Harper Voyager’s Blog describing just that! Check it out here!

And thanks for reading, everybody!

Casting DEAD BUT ONCE

Each time a novel of mine comes out, I amuse myself by casting the would-be movie of the book. Not that this will ever happen. Furthermore, even if it were to happen (Hollywood, you know where to find me!), there’s no way I’d have any say in this anyway.

But I digress!

The third book of The Saga of the Redeemed, Dead But Once, is now available for sale! I’m doing publicity stuff, too! See my interview over on Dan Koboldt’s blog, or my guest post over with Bishop O’Connell! And now we come to my own little sales pitch: casting the movie of the book which will never be made into a movie! Will this entice you to buy? WHO KNOWS?

There’s only one way to find out, right? So:

Tyvian Reldamar

Played by: Neil Patrick Harris

Tyvian is suave, debonair, and also a lot of trouble. Harris’s portrayal of Barney Stinson on How I Met Your Mother sets him up well for the role, I think. He’s fit without being too bulky, he’s good-looking in a rakish sort of way, and I could totally see him complaining about sub-par wine.

Myreon Alafarr

Played by: Emily Blunt

Myreon is courageous, determined, and willing to get her hands dirty in the name of justice. It’s taken me a while to narrow down the right choice for her, but when I saw Edge of Tomorrow, I knew she was my girl. Ms. Blunt can play the Gray Lady with style, I tell you.

Artus

Played by: Tom Holland

Much like Myreon, it’s taken me a while to nail this one down. This is, in large part, because I just couldn’t identify any 14-year-old actors for prior books. For Dead But Once, though, Artus is 16 and on the threshold of manhood, and nobody’s been doing that better in an action/adventure setting than Tom Holland’s brilliant portrayal of Peter Parker in the MCU. He’d be perfect for my idealistic, somewhat naive, and desperately-trying-to-be-cool Artus.

Lyrelle Reldamar

Played by: Michelle Pfeiffer

Lyrelle Reldamar, the most powerful sorceress in the world, is a woman who has seen to it that she’s aged gracefully. She’s stunning and forceful – when she walks into a room, everyone stares. She is a queen even among other royalty, and I think Pfeiffer has the charisma and the look to pull the role off very well. She also could, conceivably, be seen as a plausible mother to Neil Patrick Harris.

Hool

Played by: Gwendolyn Christie

Now, Christie would definitely be mostly CGI in this role, since Hool is an enormous hairy gnoll and she is nothing of the kind. But I think she has the physicality, the voice, and the presence to pull off the powerful Lady Hool and, conversely, when Hool is wearing her shroud, Christie could easily pull off the look of “Hool pretending to be a human” with all the intimidating glares and sharp words that such a thing entails.

Brana

Played by: Unknown

Much like Artus in earlier books, I’m not really sure what young person we could find to play the (also mostly CGI) gnoll pup. They’d need to be able to stand on their head, for one thing, and their human-as-puppy impersonation would need to be spot on. I’m open to suggestions.

Valen Hesswyn

Played by: Andrew Garfield

I don’t know about you, but something about Andrew Garfield’s face just has “I’m a teenage jerk-face” written all over it. Valen is a bit older than Artus, a bully, but is a charismatic member of Eretherian society besides that, and something about Garfield’s mug just fits the bill.

Dame Velia Hesswyn, Countess of Davram

Played by: Dame Judy Dench

Countess Velia is past her prime and yet is a powerful voice in Eretherian society and an eminent member of the peerage. She is constantly plotting and scheming to advance her own house, and bears herself with dignity at all times. Dench could play anything, of course, but this I think she could hit out of the park.

Adatha Voth

Played by: Anne Hathaway

The woman plotting to kill Tyvian Reldamar by any means necessary and the woman Tyvian Reldamar can’t help but be drawn to has to be somebody special. Hathaway’s excellent portrayal of Catwoman (in the otherwise terrible Dark Knight Rises) shows that she has the capacity to be playful and sexy and dangerous all in one.

Banric Sahand

Played by: Ron Perlman

You guys, you guys – I think I finally nailed this one. I’ve had a lot of trouble in the past thinking of an actor who could physically embody the imposing and violent Sahand while also having the ability to deliver a perfect villain’s monologue in a booming baritone. Ron Perlman is my man. The Mad Prince (in my mind) could not look more like Perlman if he tried, and his delicious threats would sound so good in his voice.

Xahlven Reldamar

Played by: Simon Baker

Xahlven is a tough one, if only because he has to fit into that Reldamar phenotype, be a bit older than Tyvian, and be arguably more handsome. He needs a brilliant smile and a smooth voice, too. Baker, I think, fits the bill, though I haven’t seen him in anything other than The Mentalist, so I don’t know how well he can play the villain. In any case, him, Pfeiffer, and Harris would make for an interesting family dynamic, I bet.

Anyway, those are my thoughts. There are a lot of secondary characters out there I didn’t get to, but here’s the core of the book, for sure. I think it would make a pretty cool movie, myself. Of course, I would, wouldn’t I?

What do you think?

DEAD BUT ONCE – Releases Tuesday, 4/17/18

(cue trumpets)

TYVIAN IS BACK, ladies and gentlemen!

This Tuesday, Book 3 in the Saga of the Redeemed is released in e-book (the paperback will follow on May 1st) and is available now for preorder.

For those of you just joining us since the last book released (about 18 months ago), this is the story of Tyvian Reldamar, archcriminal and impeccable dresser, who has been cursed with a magic ring that forces him to do the “right” thing. It has tortured him now for two books in a row and its been very, very difficult to get the damned ring taken off and as a result of all his forced “nobility” he’s wound up with, well…

Friends, lovers, and allies. And enemies. Lots and lots of enemies.

And, indirectly, a hell of a lot of money.

The novels are packed with action and intrigue, dueling and sorcery, and a fair amount of clever repartee. I’ve pitched it as “James Bond in a fantasy world” which is a slight exaggeration, but not by much – Tyvian is the smug prick you hate but also love but also want to be when you grow up. And this is the story of his long journey to becoming less of a prick. It’s harder than it sounds.

This book is written so that if you haven’t read the first two books, you can still read this one and follow the plot (though you will be missing a few things here and there–that’s somewhat unavoidable), so there are no excuses, blog followers! Get it! Read it! Give me glowing reviews on Amazon and Goodreads (or any reviews, really – I’m not picky)!

Want to know more about book 3? Well, I’ll be posting a fair amount in the coming week, but for starters, check this out:

Out in e-book this Tuesday!

A brilliant schemer never rests, but for Tyvian Reldamar, he might finally be over his head. The Saga of the Redeemed continues with Dead But Once, Auston Habershaw’s latest fantasy following The Oldest Trick and No Good Deed.

Arch-criminal Tyvian Reldamar has gotten complacent.

For him, he’s reached the pinnacle of all he’s really hoping to achieve: he’s got money, he’s got women (some of which aren’t even trying to kill him), and he’s got his loyal friends and family nearby and safe.

Except…maybe not so safe.

Because this is Eretheria, a city known as much for its genteel aristocracy as for its diabolical scheming. Long without a king, the scions of the ruling families scrabble for control–including levying cruel taxes and drafts on the peasantry in order to wage “polite” wars against each other. 

And now, of course, Tyvian is finding himself drawn into it. 

With a swashbuckling flare, old fans and new readers alike will be swept up into this world of magic, crime, and political intrigue where life is cheap and justice too expensive.  

The 3-Star Read

I’m reading a book right now. It is not good.

It is also not bad.

This is infuriating.

Bad books are easy to discard. Long, long ago I shed that absurd “completist” affliction where I felt the need to finish any book I started (and for that, I thank you, Doctor Zhivago). Now, if I am not feeling a book within 50 pages/20% (whichever comes first), I drop it and move on with my life. This has saved me oh so many hours of pain. If you don’t do this yourself, do it. Your life will improve.

On the other hand, of course, good books are pure pleasure. They fly right by. I can’t wait to read them, I regret having to put them down, and I finish them within a week, no matter how long they are.

The ones in the middle suck. They suck worse than the bad ones. See, they have the audacity to be interesting enough to keep me reading, but the

This is a low bar, book. Be ashamed.

temerity not to be any good so that I actually want to keep reading. These books are eminently put-down-able. At every chapter break, I quickly set the book down and look for something better to do. It is notable that I mostly read on the train these days and frequently I can, in fact, find something better to do than read the book in question.

I will remind you that I am on a train underground.

Of course, the natural impulse should be to jettison said snooze-fest of a book and move on to bigger, better titles. But wait! There’s still potential there! Maybe it will get good in the next 50 pages? It had such good reviews! The concept is so interesting!

So I keep reading, page by torturous page, as the book plods and stumbles towards its lackluster conclusion. These stupid books eat whole months of my life. I hate them.

Very often, the thing that causes the book to fall into this category is the characters. If I don’t care about the characters, I don’t care about the rest of the book. It really doesn’t matter how cool the idea is, the characters and my capacity to identify with them and care about their plight is essential. This means that the characters need a plight, for one thing. They also need to be sufficiently real and interesting that I can connect with them. They also need to do things about their situation. A lot of books (a surprising number, actually) don’t really do this. They have this wizbang cool idea behind them, but the book isn’t really populated with “people” as much as “placeholders for people.”

I could name a lot of names, here, but I don’t like ragging on fellow authors and, honestly, my tastes are not necessarily your tastes. Suffice to say that I’m reading a book right now with one of those super cool high-concept science fiction worlds, but the characters seem to be shoehorned in. It seems as though somebody told the author that they needed actual people in their futuristic techno-thriller and the author sighed and say “Oh, okay – here’s a guy with job and a girl with a katana – that good enough?” The answer is “yes,” but only barely.

One butterscotch sundae coming up, kid! WOOOOO!

Now there are plenty of books that go the other way – really interesting characters in drab, low-concept, predictable conflicts in mundane settings. Those, however, are way more palatable. I could watch Han and Chewie doing anything, you know? Even if it’s a book about Han and Chewie making ice cream for 75 pages, I bet I’d still like it. Character, to me, is everything.

Now, if you’ll excuse me, I’ll probably ought to read more about…this crap I’m reading. How far am I through? (checks Kindle). 54%? That’s it?

But I’m more than halfway now…so…(sobs)

Scifi/Fantasy Writing Twitter Chat! Today at 1pm and 8pm!

Hey, the real world is full of bad news today! Need to escape? Come join me and a bunch of other authors to chat about writing. 1pm EST and 8pm EST. The handle is #SFFChat. See you there!