This is it! The Far Far Better Thing, Book 4 of The Saga of the Redeemed, is available today from all e-book retailers! In other words, the fantasy series that I imagined and started writing almost ten years ago has finally culminated in this epic work!
Auston Habershaw’s epic fantasy series, The Saga of the Redeemed, which began with The Oldest Trick, comes to a powerful conclusion in The Far Far Better Thing.
War has come to Eretheria.
With Tyvian Reldamar feigning his death, the forces that still carry his banner are left to fight a vicious battle against the warlord Banric Sahand and the noble houses that flock to his side.
Led by Myreon and Artus, this band of freedom fighters and angry rebels is faced with an enemy the likes of which they’ve never faced before: one who will do anything, no matter how brutal, to secure victory.
Having had his fill of death, Tyvian tries to run away from the war fought in his name, but it just isn’t that simple. With his mother held prisoner, Artus and Myreon in grave danger, and Xahlven pulling the strings in the background, the ring drags Tyvian to return and set things right.
But how can one man fix a world this broken? And what will be left behind when the smoke clears? No one can say for sure.
Least of all Tyvian.
I’ll have more to say about this at another time, when I can gather my thoughts, but I’d like to at this point offer a massive, heartfelt thank you to those fans of mine who have stuck with Tyvian through all his trials and tribulations – you are the absolute best, and this absolutely would not have been possible without you.
I’d also like to thank my wonderful beta readers – Katie, Brandon, and Jason – for keeping me sane and pointed in the right direction.
And, of course, my agent Joshua and editor David, also without whom there would be no book.
Now get out there and get reading!
Been a little while since I plugged a friend’s book here, so here’s one: my friend Nancy has the conclusion to her fantasy trilogy come out just YESTERDAY! Check it out:
Before Winter, the exciting conclusion to the Wolves of Llisé trilogy, was released in eBook by Harper Voyager, U.K. Sept. 21, 2017. Before Winter, Among Wolves (2015) and Grim Tidings (2016) follow the quest of Devin Roché, a young archivist, who discovers discrepancies in the government Archives which send him in search of the oral Provincial Chronicles which record a very different history.
In the final book in the trilogy, rumors of Devin’s death at his own bodyguard’s hands reach the capital and the Chancellor is detained on fabricated charges of treason, which may cost him his life. In the provinces, people fight to reclaim their history – but the forces against them are powerful: eradicating the Chronicles, assassinating Master Bards, and spreading darkness and death.
Accompanied by a wolf pack and a retinue of their closest allies, Gaspard and Chastel must cross the mountains in a desperate attempt to save the Chancellor before winter makes their passage impossible. But the closer they journey towards Coreé, the clearer it becomes that there are those who don’t intend for them to arrive, at all.
The paperback of Before Winter will be available March 22, 2018. EBooks of both Among Wolves and Grim Tidings are on sale through September 29!
My publisher, in what I hope is just the beginning of an ALL OUT MEDIA BLITZ, just put up a little article of mine on their blog telling people why they, as fantasy fans, would probably dig my work.
No, seriously. Go. Now.
Okay, so for me there always seems to be a balance to be struck between being a human signpost for my work (i.e. super annoying) and being a shirking violet who dare not impose upon others with gauche entreaties to read my pitiful prose (i.e. completely worthless).
This came up at Worldcon, where I had neglected to inform my publisher that I’d be there and I had a signing. This was stupid. I also barely managed to see my editor, which was also stupid (my agent, helpfully enough, made fun of me for not doing so and I was able to hastily remedy the situation).
I’m too used to thinking of myself as invisible – a published author whom few people know about. What I forget is that there is actually something I can do about that. I mean, not a lot – all the self-promotion in the world is only going to net you a couple hundred sales – but something. In any event, I shouldn’t sell myself short. I deserve some attention. I think I am talented. I think people will like my work. And it’s important (and a little cathartic) to actually tell people so from time to time.
And you, too, shouldn’t shirk away from speaking highly about your own work. Do it. Just don’t do it all the time (that’s arrogance) and don’t overdo it (that’s bluster), but tell people all the same. You deserve it.
Oh, right, and BUY MY BOOKS!
So, awards season is coming up, which means Hugo Awards nominations are now open. As is customary among authors who have published work in science fiction and fantasy in any given year, I’m going to write a handy-dandy little precis of what works I have out there that are eligible and in what categories. To nominate me (or anybody else), just go to the Hugo Awards website to learn all about it. Hey, maybe I’ll even see you in Helsinki, Finland for this year’s WorldCon.
Anywho, here’s my eligibility (I believe):
No Good Deed, Published by Harper Voyager Impulse in June, 2016
“Tea With Silicate Gods” Published on Perihelion in March, 2016
“When It Comes Around” Published on Perihelion in September, 2016
“The Day It All Went Sideways” Published in Time Travel Tales from Chappy Fiction in November, 2016
Of all those, the ones I am perhaps most proud of are “Lord of the Cul-de-sac” and “The Day It All Went Sideways” and I’d ask you give those particular attention. Like, if you were to read one thing, read the Galaxy’s Edge piece. Then again, “When It Comes Around” is free and “The Day It All Went Sideways” is free for Kindle Unlimited members, so there’s that.
I obviously think the world of No Good Deed, but it’s the second book in an as-yet unfinished series (working on it, working on it), so I’m not going to ask people to nominate it, really. Second books don’t tend to win awards. Then again, it isn’t as though I’m likely to get nominated for much of anything, anyway (listens for crickets) see?
Anywho, this is me, humbly planting my flag and saying “I’m here, too!” Thanks so much for your time and attention.
When you are a small-time published author (such as myself) or an aspiring published author (such as myself as of a couple years back), you are constantly thinking about how little old you could, somehow, make the big-time. Now, obviously, the immediate answer would seem to be “write a kick-ass book.” Thing is, though, you’ve done that. You know you have. You know you’ve written books better than (insert name of best-selling author of choice here) and nobody noticed or cared. How is that possible, you wonder? How can there be books out in the world no better than my own that sell millions while mine languishes in obscurity?
So, that’s when you set upon an insidious idea: There must be some trick. Some eldritch formula. A secret handshake at a dark doorway.
All that remains, then, is for you to use the secret catchphrase in a query letter or, perhaps, make allies with somebody powerful and influential, and then the money will rain from above!
Case in point: Just at the end of last week, my publishing imprint signed Wesley Snipes to a book deal. Not only my publisher, mind you, but my specific editor at said publisher is going to be working with Mr. Snipes. Cool, right? And of course, my initial thought was this:
Boy, I hope they plug my book inside the back cover!
Because Snipes is going to sell a lot of books. A lot more than me, at any rate, and this is regardless of how good his book actually is (which, mind you, it may be quite good – I know nothing of Mr. Snipes’s talent as an author). Snipes has fans everywhere. They will buy. If it’s a good book in its own right, and one assumes it is (my editor has good taste), it will sell mountains of copies.
I and my friends over at Harper Voyager had our own private little freak-out over the opportunity having a big-name Person Of Note in our imprint might represent. Would there be group signing events? Could we get Snipes to blurb our books? Might there be Harper Voyager panels? We were literally falling over one another with ideas, partially in jest, but also partially because we, as low-end to mid-list authors, savor any possible way to make ourselves known. We are hoping for some magic escalator to the bestseller list.
You run into the same thing, sometimes, at cons. People see a successful author, they want to talk to them, and as much as they know they’re a person with thoughts and feelings and likes and so on, the primary motivator for wanting to talk to them is the desperate, slim hope that they might hit it off and become friends and then your good buddy (insert name of best-selling author here) will introduce them to their mega-agent and then super-stardom is not far behind.
But it doesn’t work that way. Well, not exactly. Yeah, networking is important – it’s always good to be a familiar face – but having a five minute chat with somebody from Locus on an escalator once does not get you some kind of magic ticket. Even supposing, by some miracle, I happen to run into Wesley Snipes at a convention and we are sitting next to each other at a signing table and we realize we like the same movies for the same reason and we hit it off and hang out all night and become best buddies, that does not equate to my books riding that magic escalator. That’s just not how the business works. Your book sells or does not sell thanks to often unpredictable market forces over which you have very limited control. Granted, there are ways you can improve the odds in the margins (to paraphrase Chuck Wendig: you can, through great personal effort, move hundreds of books, but only the big publishers can move thousands, and only the public at large can move millions), and networking is one of those ways. Riding coattails, though, is not a guarantee of success.
And this is even without considering the fact that trying to befriend people just because of how they might assist your career is a shitty thing to do. Those are called “false friends” and they suck. Don’t be that person. Don’t aspire to be that person. You should befriend other authors (successful or otherwise) because they are nice people that you like and admire, not because you hope by clinging to them you might scrabble to the top of some heap. Besides, even if that is your goal, being genuine friends is vastly more likely to achieve it. That, of course, means you can’t fake it – which means it can’t be a stratagem or a ploy, and therefore is not something you can consciously employ for your own gain.
So, yeah, it’s really cool that Wesley Snipes and I share an editor. I hope I get to meet him someday. But I’m not planning on riding his coattails. I’ve got too many of my own books to write.
I’ve returned from Kansas City! Though dangers untold and hardships unnumbered, I fought my way back through the dread wastes of La Guardia International and American Airlines to deliver this report on what transpired in the distant cattle town.
So, let me explain.
No, it is too much. Let me sum up:
I attended a great many panels, spoke with a great many friends and colleagues, and watched the Hugo Awards get distributed to deserving people and watched thoroughly undeserving people get routed and driven back to Mordor. I will break this thing down, category by category.
The panels I attended were either panels about the craft of writing or panels about the subjects we are writing about. In the first category, perhaps the most interesting was the panel on how to pitch your work which was hosted by a goodly number of very spiffy agents (of which my agent, Joshua Bilmes, was member). That panel solidified in my mind what I have come to realize – that a good query is not smoke and mirrors and flowery language, but rather spare and efficient and evocative. Not “My novel is a thrilling death ride through canyons of moral ambiguity that asks the question “at what price justice?”” but, rather, “My completed fantasy novel is the story of a mercenary company that loses its way through a toxic wasteland and must rely on its captain, a recovering alcoholic, to see them to safety.”
I also saw a pretty cool presentation on Solar Sails by the guy who actually managed some of NASA’s solar sail projects. I listened to neat narrative tricks by Mary Robinette Kowal (who used her shoe as a puppet to illustrate concepts) and a panel of other luminaries. I watched a panel on immortality that became dreadfully boring so quickly I abruptly realized that the easiest way to live forever is to listen to an MD mumble jargon into a microphone for what seemed like eternity.
And there was so much more!
Let’s see, who did I run into? Well, first there was my Harper Voyager friends: Brooke Johnson, Beth Cato, Bishop O’Connell, Lexie Dunne, Becky Chambers, and editor David Pomerico. Then there were my Writers of the Future fellows, including Daniel Davis, Martin Shoemaker, Amy Hughes, Sharon Joss, Tina Gower, Steve Pantazis, (Quiet) Austin “the Dealer” DeMarco, and more besides. There was also my newest writing “family” in the JABerwocky Agency, including Joshua Bilmes, Ben Grange, Sam Morgan, Megan O’Keefe, and Heidi, Alison, Joe, Joey, and Chris (whom I spoke with during dinner but whose last names elude me).
I ran into Mike Resnick (editor of Galaxy’s Edge) and Shahid Mahmud (publisher of Galaxy’s Edge), I met CC “Charlie” Finlay, editor of F&SF, who actually remembered me right away and gave me a big smile and a handshake (which was awesome) and introduced me to his wife, Rae Carson.
And there were so many other people, besides! I couldn’t hope to name them all, and not least of all because I’m not 100% confident I would apply the right names to the right people!
Kansas City is a nice little town – very clean and evidently unpopulated (by my northeastern standards, anyway). Like, seriously – not a lick of traffic at any time, anywhere. Not even downtown. Hardly any pedestrians, either. I won’t lie – it was a trifle eerie.
It is a nice place for BBQ, though, and a big thanks to Brittany Constable (friend of Brooke Johnson and writer in her own right) for giving me a ride out to sample some great brisket and ribs. I also got to go to a fancy restaurant and have a Kansas City Strip Steak, which was pretty good (still not a huge strip steak fan, though). Stopped into the Dubliner pub, too, just to do a standard authenticity check on their “Irish” credentials. It was no Southie or Dorchester, mind you, but it was a really nice bar with some excellent chicken wings (though they don’t seem to understand the definition of “medium rare” for a burger). Got to stop into the Kansas City Public Library, which was a beautiful building that was everything a library should be, and got driven around by some of the nicest cab drivers I’ve met.
The awards show was a bit loosely organized, though they managed to get it into 2 hours on the dot, so kudos to them. The awards weren’t terribly surprising, for the most part – the Puppies were firmly routed yet again (and deservedly so), though I got the sense that their bitter negativity had driven a number of award winners from attending the awards, as quite a few people were accepting things on others’ behalf. Neil Gaiman’s acceptance speech (which was read on stage) was particularly scathing in that respect. Overall, though, I enjoyed the awards show more than I thought I would, as awards shows are usually overlong and deadly dull.
I was particularly happy for Lightspeed for winning Best Semiprozine and for Hao Jingfang and her story “Folding Beijing,” as they were all beside themselves with joy for their win. Jessica Jones also richly deserved the Best Dramatic (Short Form) Hugo, as well.
There was, of course, just a little bit of drama during the convention. I missed it, though whether I was fortunate or unfortunate in that regard is uncertain. A Puppy sympathizer by the name of Truesdale decided to hijack a panel on the state of short fiction and rant and rave about his own opinions about how “pearl-clutchers” are ruining scifi and was, apparently, completely unaware of the irony he embodied. You can look up plenty about this online and I’ll largely stay out of the discussion, but I will say this: Persons of color or women winning Hugo awards doesn’t ruin scifi for anybody. Being assholes, on the other hand…
Special treat today! Brooke Johnson is a steampunk author whose first book, THE BRASS GIANT, is a wonderful tale of clockwork, young love, and a hard-nosed female protagonist up to her neck in trouble. The second book in her series, THE GUILD CONSPIRACY just came out yesterday, and Brooke has been so kind as to allow me to post an excerpt of it for you all to read. Check it out!
EXCERPT from Chapter 2 of THE GUILD CONSPIRACY:
Petra reached the University square and crept toward the student entrance, hiding in the shadow of a nearby steam duct. Tucking her hair into the brim of her hat, she glanced down at her pocket watch, grazing her fingertips over the intricate C that decorated the case—just a few minutes before ten. She peeked out from her hiding place and searched the empty square, but no sign of Rupert.
With a sigh, she pressed her back against the warm metal of the exposed ductwork and waited, listening to the rush of steam hissing through the pipes. The machines of the subcity rattled and whirred beneath the stone street, synchronized gears and linkages ticking a rhythm of mechanical perfection beneath her feet. She inhaled a deep breath, catching the scent of coal and gasoline amidst the humid air billowing through the grates. It smelled of home.
A few minutes later, the lock above the student entrance unlatched, the gears knocking and grating as ratchets shifted the deadbolts. The door creaked inward, and Rupert’s blond head peered out, his face lit by the flickering gas lamps at the bottom of the stairs.
“Petra?” he called, his voice barely above a whisper. “You out here?”
She slipped out from behind the steam duct and met him atop the stairs. Rupert closed the door behind her. He removed his student key from the lock, and heavy gears ratcheted the deadbolts back into place, locking the door with a resounding clunk.
Petra leaned against the smooth brass-plated wall and breathed in the familiar air of the University, the lingering scents of grease and metal polish putting her at ease. The usual bustle of engineers, students, and professors was absent from the dark, empty lobby, the echo of distant machinery lurking in the shadows like haunting ghosts. It had been months since she’d been here after dark—when Emmerich was still here and her only worry was keeping their automaton project secret. It seemed an eternity ago now.
Rupert touched her shoulder. “Come on,” he whispered. “Or we’ll miss it.”
He took her to the lift and used his student key to propel them up to the eighth floor, the whirring belts and pulleys singing as they ascended. The lift slowed to an abrupt stop, and the lights above the gates spilled across the hall, startlingly bright in the quiet darkness of the University.
“So what’s this meeting about?” she asked Rupert.
Their brisk footsteps echoed off the hard floor as Rupert led her down the hall toward the student lounges and recreation room.
As they approached, a muffled cacophony met Petra’s ears—shouts and curses, cheers, a clash of metal on metal, the clear sound of a combustion engine igniting. Petra’s heartbeat quickened, and she pressed her ear to the door, feeling the vibrating hum of a purring engine in the room beyond, the sigh of exhaust, the smell of burnt fuel reaching her nose.
Rupert nudged her aside and keyed into the room, the clash of metal rising to a deafening thunder as he opened the door.
Inside, the billiard table, chess tables, chairs, and sofas had been pushed to the walls, the usual carpets and rugs thrown over the furniture. A spotlight illuminated a few dozen students near the center of the room, surrounding a hulk of moving brass, its shiny surface flashing in the glow of the electric light. The crunch of crumpling metal and subsequent jeers echoed off the walls, and the metal beast reeled out of Petra’s sight.
Leaving Rupert behind, she elbowed her way through the crowd of students and stumbled headlong into the center of the ring. A quick hand caught her by the collar and yanked her back into the crowd just as a metal arm swiped through the air, inches from her nose.
Petra stumbled into the student next to her, gaping in delighted disbelief at the scene before her. Two imposing metal figures stood in the center of the ring—a squat trapezoidal machine and a grotesque humanoid—dripping oil and smelling of exhaust. Jagged trenches cut through the outer shell of the larger machine, exposing a mesh of combustion enginery and electrical wiring inside, while the smaller, wheeled contraption had a stump of shredded linkages and twisted gears where its second arm should have been, its stout body half-crushed and front wheels bent.
The bipedal machine lunged, much to the crowd’s delight, and there was a terrible, teeth-grinding crunch as the metal shells crumpled and warped on impact. The biped hammered its fist into the smaller trapezoid, the squat machine’s outer shell buckling under the assault. Yet the contraption held its ground, wheels spinning forward as it pressed against the hulking mass of metal, its remaining arm buried halfway into the biped’s central system, pulling wires and tubes from its body like rubber intestines, oil and hydraulic fluid spilling onto the floor.
With a sputtering whine, the combustion engine rumbled to a halt, the spin of gears slowing to a groan as the mechanical biped powered down. The heavily damaged trapezoid pushed the biped away, and the mutation of combustion enginery and electricity toppled over with a resounding crash.
And then the room erupted in cheers.
From the far side of the ring, a young man stepped forward and waved the crowd into silence. Petra recognized him by his long, narrow face and shrewd eyes—Vice-Chancellor Lyndon’s son, Yancy. He spread his hands wide.
“Gentlemen! I believe we have our winner!”
The winning engineer stepped forward and swept into a low bow, tucking a metal control box behind his back. Petra noted the thick cord trailing from the brass case, snaking across the oil-slicked floor to the back of the trapezoidal machine. So that was how he controlled it.
She suppressed a smirk. Rudimentary technology.
Rupert squeezed in beside her. “What do you think?”
“It’s brilliant,” she said, her voice nearly lost amidst the cheers and shouts around them. “How long has this been going on?”
“Started about midterm, last semester. You know about the failed automaton project, right? Some of the boys who work in the armory found the remains of it and got the idea to start a mechanical fight ring.”
Petra pressed her mouth shut and nodded. So they had kept it then, the ruined prototype that Emmerich had so expertly smashed through the floor of his workshop—now collecting dust in the armory. The failed automaton project. That was what the rest of them called it, not knowing she had helped design and build it, not knowing what her involvement had cost her.
“Where do they get the parts?” she asked.
“Discards and surplus from the workshops,” said Rupert. “Some of the richer blokes buy parts offshore and have them shipped in. Most of it is scrap, though.”
In the center of the ring, Yancy quieted the crowd with a wave. “That concludes the inaugural competition of our mech fights.” Another boy brought forward a table and handed Yancy a pad of paper and a pencil. “If you wish to participate in the next tournament,” he said, waving the paper over his head, “sign up by the first bell tomorrow and have your mech ready for the first round sometime next month, date to be decided. Entry fee is a pound note—or equivalent—the sum of all entries to be rewarded to our next winner.”
He dropped the paper and pencil onto the table, and a handful of students stepped forward to enter. Petra watched as they scribbled their names, one after the other, knowing she could outmaneuver every single one of them with a machine of her own.
For six long months, she’d been stuck in boring classrooms, listening to dry lectures and permitted to do nothing more than pointless busywork. She missed the feel of a screwdriver in her hand, the smell of grease under her fingernails, the late nights of working with her hands deep inside a machine.
She yearned for it.
Rupert nudged her with his elbow. “Go on then. Sign up.”
Petra considered it, absently twisting the stem of her pocket watch between her thumb and forefinger. She could enter, write her name down and fight in the next tournament, finally have the chance to build something again. Yet . . . she knew they wouldn’t let her. They’d only laugh at her, mock her for thinking she could compete with them, for thinking she was their equal.
She stared at the sign-up sheet, the determination to prove herself burning in her chest.
To hell with them.
She released the breath she’d been holding and stepped forward, heart beating faster. Leaning over the table, she took the pencil into her hand and pressed the point of graphite to the paper, quickly scribbling her name at the bottom of the list of entrants before she second-guessed herself. She belonged here, building machines alongside the best of them.
She’d win the damn tournament, and then they’d see.
THE GUILD CONSPIRACY:
In the face of impossible odds, can one girl stem the tides of war?
It has been six months since clockwork engineer Petra Wade destroyed an automaton designed for battle, narrowly escaping with her life. But her troubles are far from over. Her partner on the project, Emmerich Goss, has been sent away to France, and his father, Julian, is still determined that a war machine will be built. Forced to create a new device, Petra subtly sabotages the design in the hopes of delaying the war, but sabotage like this isn’t just risky: it’s treason. And with a soldier, Braith, assigned to watch her every move, it may not be long before Julian finds out what she’s done.
Now she just has to survive long enough to find another way to stop the war before her sabotage is discovered and she’s sentenced to hang for crimes against the empire. But Julian’s plans go far deeper than she ever realized … war is on the horizon, and it will take everything Petra has to stop it in this fast-paced, thrilling sequel to The Brass Giant.
Release Date: August 9, 2016.
About the Author:
BROOKE JOHNSON is a stay-at-home mom and tea-loving writer. As the jack-of-all-trades bard of the family, she journeys through life with her husband, daughter, and dog. She currently resides in Northwest Arkansas but hopes to one day live somewhere more mountainous. You can find her on Twitter @brookenomicon.
Hi, everybody! Shoveling out from beneath a mountain of papers, but today I’ve got a special treat for all of you. My friend Beth Cato has a new story out set in the same world as her Clockwork Dagger series. If you like Steampunk, fantasy, or especially Steampunk Fantasy, check it out now!
Another breathtaking short story from the author of The Clockwork Dagger and The Clockwork Crown, set in the same world…
Captain Hue hoped he was rid of his troubles once Octavia Leander and Alonzo Garrett disembarked from his airship Argus. But he was quickly proved wrong when his ship was commandeered by Caskentian soldiers. He is ordered on a covert and deadly mission by the smarmy Julius Corrado, an elite Clockwork Dagger.
Now Captain Hue must start a mutiny to regain control of his airship, which means putting his entire crew at risk—including his teenage son Sheridan. As the weather worsens and time runs out, it’ll take incredible bravery to bring the Argus down… perhaps for good.
An excerpt of the very beginning of the story:
I stood at the rudder wheel of my airship Argus, in command of a ship I did not truly control. We flew north, destination unknown. A soldier stood several feet behind me. His pistols remained holstered—he wasn’t daft enough or desperate enough to fire a weapon in the control cabin of an operating airship—but he had already proven adept with his fists. My co-pilot, Ramsay, was currently getting patched up, as the sarcastic commentary he had offered was not kindly received.
Throughout the cabin, tension prickled beneath the surface like an invisible rash we couldn’t scratch. Everyone stood or sat rigid at their posts, gazes flickering between their gauges, the windows, and the soldiers in our midst. These were soldiers of our own kingdom of Caskentia, in green uniforms as vibrant as the sprawling valley below. They had occupied the Argus since that morning.
This was the second time in as many weeks that my airship had been commandeered. The previous time, rebellious settlers from the Waste had claimed it by force. I rather preferred them. Wasters made for an easy enemy after fifty years of intermittent warfare. This occupation by our own government was ugly in a different way.
My fists gripped the wheel as if I could leave impressions in the slick copper. The futility of our situation infuriated me. I couldn’t stop the Wasters before. And now I couldn’t stop this, whatever this mysterious errand was.
My son, Sheridan, was on board somewhere. I needed him to be safe, not snared in any more political drama. The Wasters had used him as a hostage to force my hand; I didn’t want these soldiers to do the same.
“Captain Hue, sir.” My co-pilot saluted as he entered the control cabin. I assessed him in a glance. Bandages plugged his swollen nose. Blood still thickened his thin brown moustache.
“You are well enough to resume your duties?” I asked.
“Yes, sir. I’ve felt worse after a night of leave.”
Ramsay knew his job; if only he could control his fool lips. I stepped back to grant him control of the rudder and leaned by his ear. “Corrado said this would be over in days. Bear through.”
I saw my own frustration mirrored in his eyes, and in the other crew as I walked from station to station. I muttered what assurance I could and exited the control cabin. I needed to find my boy.
Like the start of the story? Read the whole thing for just 99-cents–and that includes the first chapter of Beth’s novel out in August, Breath of Earth!
Beth Cato is the author of the Clockwork Dagger steampunk fantasy series from Harper Voyager, which includes her Nebula-nominated novella Wings of Sorrow and Bone. Her short fiction is in Clockwork Phoenix 5, Beneath Ceaseless Skies, and Daily Science Fiction. She’s a Hanford, California native transplanted to the Arizona desert, where she lives with her husband, son, and requisite cat. Follow her at BethCato.com and on Twitter at @BethCato.
Quick post today – getting to the end of the semester, and free time is dreadfully rare.
This weekend in my fair city of Boston, PAX East is coming to town! Now, time was I would attend each year to throw down in a 40K tournament, but lately passes have been harder to acquire and I’ve been more and more busy, so I won’t be there in the flesh. I will however, be there in spirit. And also in the form of my book, for free, for you.
Regardless of whether you can make it to PAX, too!
So, click on THIS LINK to give you hours and hours of fantasy and science fiction stimulation while you stand in line in the good ol’ BCEC!
In addition to my book, The Oldest Trick, by me, a local author, there are also a ton of different titles bound to tickle at least one of your fancies, if not all of them at once. Chuck Wendig! Lexie Dunne! Dan Koboldt! Elizabeth Bonesteel! Nathan Garrison! Laura Bickle! I could go on, but you get the idea!
Go go go!
Did I mention FREE?